Daub

Adrian Daub, PhD

  • Professor of German Studies and Comparative Literature
  • Affiliated faculty at The Europe Center
  • Barbara D. Finberg Director, The Clayman Institute for Gender Research
  • Director, Program in Feminist, Gender and Sexuality Studies
  • Director, Andrew W. Mellon Fellowship of Scholars in the Humanities

Building 260, Room 202

Biography

Adrian Daub is Professor of German Studies and Comparative Literature at Stanford, where he also directs the Michelle R. Clayman Institute for Gender Research, the Program in Feminist, Gender and Sexuality Studies and the Andrew W. Mellon Program for Postdoctoral Studies in the Humanities. He is the author of several books about German intellectual and cultural history, including Uncivil Unions (2012), Tristan’s Shadow (2013), and Four-Handed Monsters (2014). He has also written on popular culture and contemporary culture, including The James Bond Songs (with Charles Kronengold, 2015) and Pop Up Nation (2016). His books The Dynastic Imagination and What Tech Calls Thinking will be published in 2020. He is a frequent contributor to many national and international magazines and newspapers, including The New Republicn+1Longreads (United States), The Guardian (UK), Neue Zürcher Zeitung (Switzerland) and Frankfurter Allgemeine Zeitung and Die Zeit (Germany). 

publications

Commentary
December 2017

“BRAAAM!”: The Sound that Invaded the Hollywood Soundtrack

Author(s)
cover link “BRAAAM!”: The Sound that Invaded the Hollywood Soundtrack
Commentary
August 2017

Here at the End of All Things: On losing oneself in the geography of fantasy worlds, from Middle Earth to Westeros

Author(s)
cover link Here at the End of All Things: On losing oneself in the geography of fantasy worlds, from Middle Earth to Westeros
Commentary
November 2016

"Westworld” and the Dawn of Baroque TV

Author(s)
cover link "Westworld” and the Dawn of Baroque TV