Erick Arenas

Erick Arenas is a Ph.D. candidate in musicology at Stanford. His research focuses on the relationship between musical culture and ritual life in the capitals of Catholic Europe during the eighteenth and nineteenth centuries.

Before coming to Stanford, Erick studied music history at the University of the Pacific and the University of Oregon. His master’s research dealt with the persistence of liturgical music traditions in nineteenth-century Paris and the music of Charles Gounod.

Erick’s doctoral dissertation, “Johann Michael Haydn and the Missa solemnis of Eighteenth-Century Vienna and Salzburg,” explores the style, tradition, and significance of the elaborate musical rendering of the Mass within the imperial-Viennese and archepiscopal-Salzburg contexts. He seeks to draw greater attention to the central place of sacred music in the Austrian musical legacy, a research area that has been dominated almost exclusively by concert and theatrical music scholarship. As a case study, he examines the achievements of J. M. Haydn (1737-1806), a figure once considered the preeminent composer of liturgical music within the milieu of Joseph Haydn and W. A. Mozart. By shedding light on the extent to which eighteenth-century musical life was still influenced by waning Baroque and Counter-Reformation values, Erick’s project offers one significant lens for a broader examination of the complex musical culture of the Age of Enlightenment.

In Summer 2009 Erick was awarded the FCE Advanced Graduate Student Travel Fellowship in order to study manuscript sources in Austrian music archives.