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In May 2024, Georgia's president, Salome Zourabichvili, vetoed the Parliament's contentious anti-foreign agent law, but called her act "symbolic," as the majority Georgian Dream party promised to override the veto at their next session.

In a talk hosted by The Europe Center on May 28, Kathryn Stoner, Mosbacher Director of the Center on Democracy, Development and the Rule of Law (CDDRL), explored Georgia's democratic aspirations within the context of the law, dissecting its potential ramifications for civil society, political freedoms, and Georgia's European integration ambitions.

Professor Stoner, who was awarded an honorary doctorate in 2016 from Iliad State University in Tbilisi, Republic of Georgia, also discussed the politics and complexities of the recent law and its implications for Georgia's future.

A recording of the talk can be viewed below:

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Kathryn Stoner, Mosbacher Director of CDDRL, discussed the politics and complexities of the anti-foreign agent law and its implications for Georgia's future.

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Melissa De Witte
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Landy said there are two directions to go: “One is to plunge yourself deeper into misery and make yourself even more afraid, and the other is, well, not escapism exactly, but the kind of writing that keeps your mind alive, alert and active.”
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As Philosophy Talk reaches 500th episode, the well-loved radio show discusses how humanities can help during the pandemic

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When it came to how movies sounded, Stanley Kubrick was of a particular moment, but he seized that moment in a unique way. The moment — one might designate it as 1968, though it extends beyond the calendar year — was one that Kubrick shared with other innovative young filmmakers who sought to renegotiate how films were scored. The end of the Golden Age studio system brought with it an end to one kind of smoothed-over Hollywood sound. And the rise of the Hollywood auteur presented new opportunities to incorporate unusual types of music in mainstream cinema. From rock songs, jazz, avant-garde music, or plain absence of non-diegetic music, the films that shared cinemas with 2001: A Space Odyssey, or that came shortly after it, went in new directions when it came to how a hit film sounded. 

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Bloomsbury Collections
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Adrian Daub
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The field of text technologies is a capacious analytical framework that focuses on all textual records throughout human history, from the earliest periods of traceable communication—perhaps as early as 60,000 BCE—to the present day. At its core, it examines the material history of communication: what constitutes a text, the purposes for which it is intended, how it functions, and the social ends that it serves.

This coursebook can be used to support any pedagogical or research activities in text technologies, the history of the book, the history of information, and textually based work in the digital humanities. Through careful explanations of the field, examinations of terminology and themes, and illustrated case studies of diverse texts—from the Cyrus cylinder to the Eagles' "Hotel California"—Elaine Treharne and Claude Willan offer a clear yet nuanced overview of how humans convey meaning. Text Technologies will enable students and teachers to generate multiple lines of inquiry into how communication—its production, form and materiality, and reception—is crucial to any interpretation of culture, history, and society.

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Stanford University Press
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Elaine Treharne
Claude Willan
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The 1940s and 1950s were a revolutionary era in both access to and imagination of the underwater environment in the most modernized nations of the globe. This article examines new possibilities in the exhibition of the underwater environment in film thanks to new dive and filming technologies. It focuses on how the depths are portrayed as a setting in Richard Fleischer’s 20,000 Leagues under the Sea (1954), by the Disney studio, and Jacques-Yves Cousteau and Louis Malle’s The Silent World (1956). In both films, conventions for portraying terrestrial settings are adapted to the resistant conditions of the aquatic environment. Such adaptation unleashes creativity in filmmaking and results in portrayals in which audiences are at once at home in this alien area of our planet and able to assimilate and enjoy its unprecedented vistas and savage life.

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Margaret Cohen
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Lecturer of French and Francophone Studies
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Marie-Pierre Ulloa is a lecturer in the Comparative Literature, and in the French and Italian Department, teaching French and Francophone cultural and intellectual history, with a focus on France and North Africa. She is a faculty affiliate of the Taube Center for Jewish Studies, the Mediterranean Studies Forum, The Europe Center, and the Ehess in Paris (Ecole des Hautes Etudes en Sciences Sociales).

Marie-Pierre is the author of two books: Francis Jeanson, a Dissident Intellectual from the French Resistance to the Algerian War (Stanford University Press, 2008, also published in French and Arabic), and Le Nouveau Rêve Américain : Du Maghreb à la Californie (The New American Dream: From North Africa to California, CNRS editions, 2019).

She is the co-founder of the Stanford Global Studies Summer Festival (2008) and the founder of the undergraduate short story contest (2014) sponsored by the Taube Center for Jewish Studies. 

Marie-Pierre received the honorific distinction of Chevalier de l'Ordre des Arts et des Lettres of the French Republic in 2013.

Marie-Pierre holds a degree in History from La Sorbonne, a MA in History and Political Science and an Advanced Post-Graduate Diploma in History (summa cum laude) from Sciences Po Paris, where she wrote her dissertation on intellectual dissidence from World War II to post-Algerian War through the case study of philosopher Francis Jeanson, publisher of Frantz Fanon's Black Skin, White Masks. She wrote her thesis on North African migration and migrant stories from North Africa to California: "From North Africa to California: migrant trajectories, integration narratives" at the EHESS (Ecole des Hautes Etudes en Sciences Sociales, School for Advanced Studies in the Social Sciences, Ph.D, summa cum laude).
 
She is a regular contributor to La Vie des Idées / Books and Ideas. 

Affiliated lecturer of The Europe Center
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Jolted Images brings together a large cast of mainstream and avant-garde cineastes, artists, photographers, comics creators, poets, and more, to reflect on a wide range of phenomena from the realms of cinema and visual culture in the Yugoslav region, broader Europe, and North America. Far from a staid monograph, the book takes a cue from filmmaker Du¿an Makavejev, who once wrote that there are times when it is necessary "to jolt art, no matter what the outcome"; to that end, the book infuses its analysis with playful, creative transfiguration of the material at hand.

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Amsterdam University Press
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Pavle Levi

Right after Albert Serra’s talk, come to celebrate the Day of the Book & Rose, a Catalan Cultural and Literary Festival, coinciding with the anniversary of Shakespeare’s and Cervantes’ death. There will be books, roses, and live recital of Catalan poetry!

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Catalan Cultural Festival. Sponsored by the Iberian Studies Program at The Europe Center, Division of Literatures, Cultures, and Languages, Department of Iberian and Latin American Cultures, Modern Thought & Literature, and The Stanford Catalan Association.

Oregon Courtyard (adjacent to Pigott Hall)

Building 260, 450 Serra Mall

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Claiming that Contemporary Cinema is currently in its most interesting creative moment since the 60s, laureate Catalan filmmaker Albert Serra will discuss its evolution throughout the 21st Century in terms of form, methodology and perception, as well as its future possibilities.

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Catalan Cultural Festival. Sponsored by the Iberian Studies Program at The Europe Center, Division of Literatures, Cultures, and Languages, Department of Iberian and Latin American Cultures, Modern Thought & Literature, and The Stanford Catalan Association.

Pigott Hall - Room 252

Building 260, 450 Serra Mall

Lectures
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Vera Zakem has been leading work at CNA Center for Stability and Development on how Russia and other actors use propaganda and disinformation to influence and target populations in Europe. She will highlight how Russia and other actors exploit internal sources of vulnerabilities and instability to target vulnerable populations in Europe via disinformation and influence campaigns. Vera's work includes conducting in-country field work in many of the countries in the region.

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Image of Vera Zakem

Vera Zakem specializes in developing innovative solutions, analytics, and partnerships in assessing root causes of conflict and instability for vulnerable populations, information warfare, social media, and disinformation, and civil-military operations. She incorporates development, diplomacy, and civil-military operations in assessing today’s security environment. She currently leads CNA’s work in assessing internal vulnerabilities to vulnerable populations, Europe and Russia, disinformation and propaganda, technology, and influence.

Zakem has conducted in-country fieldwork in the Balkans, Baltics, Central Asia, and the Middle East. Earlier in her career, she has collaborated multinational and government organizations in analyzing and assessing human security. She taught adversary, futures analytics and red teaming at the Elliot School of International Affairs, George Washington University. Throughout her career, Zakem has worked with diverse sectors in promoting the role of women in security and development.

Zakem has an M.A. in Government from Johns Hopkins University, a B.A. in Politics and Economics from the University of San Francisco and has also spent a year at Tel Aviv University in Israel. She speaks Russian, Spanish, and Hebrew. She is a Term Member, Council on Foreign Relations.

William J. Perry Conference Room
Encina Hall, 2nd floor

Vera Zakem Director of Strategy and Partnerships and Project Director Guest speaker CNA Center for Stability and Development
Lectures
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