Through periods of colonial expansion, New World emigration, postcolonial immigration, and Eurozone migration, Europe has been shaped and reshaped by the constant movement of people and communities within and across its borders. The Europe Center supports scholarship that explicates the socio-political, economic, and cultural consequences of migration for both states that receive immigrants and states that send emigrants.
The Europe Center's 2-day multidisciplinary dialogue on migration -- the subject of great and growing consequence in the contemporary world. Conference participants from a wide range of theoretical, case-study, and comparative approaches will address the phenomenon of population movement and the experience of migration in its various qualities.
The agenda for this conference is below.
Co-sponsored by the University of Vienna, the Walter H. Shorenstein Asia-Pacific Research Center, and the Center for International Security and Cooperation
The Europe Center, through its Program on Sweden, Scandinavia, and the Baltic Region, has forged partnerships with those who bring visionary solutions to the challenge of diversity and reconciliation in our increasingly globalized world. “Harbor of Hope: a special evening celebrating Sweden’s diverse cultures” held on May 6th is the latest effort by the Europe Center to disseminate this new way of thinking. The participation of Sweden’s leading documentary filmmaker Magnus Gertten, and Sweden’s cultural entrepreneur Ozan Sunar, resulted in an unprecedented pairing and an evening of motivating insight for a large public audience. The program included the screening of Gertten’s documentary “Harbour of Hope”, a multi-media presentation by Sunar and an opportunity for the audience to engage in discussion with both of these special guests.
The evening opened with a welcome by the Europe Center’s director, Professor Amir Eshel, who highlighted the support of the Barbro Osher Pro Suecia Foundation for making possible the Europe Center’s Sweden Program and this research. The center’s Associate Director, Dr. Roland Hsu then framed the thinking behind inviting these particular two guest speakers, Gertten and Sunar.
“This evening”, said Hsu, “we gather for a special look at the challenge to meet and embrace difference. In today’s globalized world, market economies, and educational opportunities, but also war and persecution send unprecedented numbers of peoples across borders, away from home cultures, and into new host neighborhoods.
In the US and in Europe we share the concern and opportunity to learn what drives people far from home. Tonight, we focus our gaze on the city of Malmo, a city whose neighborhoods contain extraordinary diversity. Such diversity has a history, which we shall see on film, and it has a future, thanks in large part to the cultural programing we will learn about after the film.
Our challenge is to learn from the experience of families, fathers, brothers, mothers, sisters, and children, displaced from the familiar, and replaced in new settings. e will look at this challenge through the eyes of two visionary artists who have touched us with their works, and who are bridging divides across competing memories, and across growing diversity of today’s mobile and global West.”
Hsu’s introduction of Magnus Gertten and Gertten’s documentary film “Harbour of Hope” included a line from a NY Times review of Gertten’s art which he felt echoed throughout the evening’s program: “it seems as if the past is intruding on and sometimes overwhelming the present.” “Harbour of Hope” includes footage from the original archival film shot on April 28, 1945, the day that 30,000 survivors of German concentration camps arrived in Malmo, Sweden to begin their lives over again. This powerful and unforgettable film is about the life stories of 3 of the survivors seen on this footage: Irene Krausz-Fainman, Ewa Kabacinska Jansson and Joe Rozenberg.
Following the viewing of “Harbour of Hope”, Hsu introduced the next guest Ozan Sunar by saying “In Mr. Sunar’s cultural programming, we may see not the past overwhelming the present, but instead the present clearing the way for its future.” Sunar, with a long career in the fields of arts, media and integration politics, blazed a path for those seeking new ways to include artistic values from diverse origins into Sweden’s contemporary culture. He is currently the founding and artistic director of the international cultural house Moriska Paviljongen in Malmo. Sunar’s presentation and the subsequent discussion on his work uniting heretofore communities in conflict through culture were both inspiring and provocative.
Harbor of Hope: a special evening celebrating Sweden's diverses cultures; May 6, 2013, Stanford University:
The Europe Center was pleased to host Catherine Ashton, High Representative of the Union for Foreign Affairs & Security Policy and Vice President of the European Commission (HRVP), at Stanford University on May 7th. HRVP Ashton’s address to a capacity audience of Stanford senior scholars is part of the Europe Center’s program focused on European and EU regional and global relations. The event co-sponsors - the Center for Russian, East European and Eurasian Studies, the Hoover Institution, and the - speaks to the esteem and the interest that multiple partners share in engaging the European Union’s highest foreign policy official.
The Europe Center’s director Amir Eshel opened the session, followed by President Gerhard Casper, director and senior fellow at the Freeman Spogli Institute for International Studies, who delivered a formal introduction of Ashton. HRVP Ashton spoke at length and in considerable detail on the mission of the office of EU High Representative, and addressed a number of the critical foreign policy challenges that we face today.
Three pillars of EU foreign policy In her talk, Lady Ashton highlighted three pillars of EU foreign policy:
Europe assumes primary responsibility for bringing and safeguarding peace in its “neighborhood”. Ashton proposed that the European Union – in terms of its status as a foreign policy actor – should be judged by the record of its mission to foster post-conflict resolution, and promote long-term stability and growth throughout its own member states, and in neighboring regions of North Africa, the Eastern Mediterranean and Middle East, and Eastern and Baltic regions of former Soviet societies.
European Union foreign policy should promote what Ashton termed “Deep Democracy”. This includes reformed and transparent judiciary, police, and representative governing institutions that safeguard the well-being and individual emancipation of citizens, and women’s and human rights.
European Union international relations prioritize effective and long-term cooperative missions with “strategic partners” beginning with the United States, as well as Russia and China. Ashton emphasized that the EU also prioritizes long-term relations and strategic missions with regional and supra-national institutions beginning with the United Nations, and including the African Union, ASEAN, and the Arab League.
“Deep Democracy”: the long-term challenge Of special note was Ashton’s significant elaboration on the priority for “deep democracy”. When asked about the case of Mali, and what the vision was for what comes after the current French and European military intervention, she emphasized the following points of policy and tactics.
The EU views the military engagement against Jihadist forces in Mali, within a larger regional view of the “Sahel Arc”. The EU is deeply engaged in the “Arab Awakening” movements – and the attendant security, political, and civil crises in each country of the region, and in terms of displaced populations across borders.
In the case of Mali, the office of the EU High Representative invited the country’s leadership to Brussels for close coordination of policy.
The EU foreign policy has been set to closely support the Malian government’s own road map for peace, territorial sovereignty, internal cohesion, and development.
In remote districts of northern Mali, residents have seen little evidence of the value of government. The EU foreign policy of engagement in Mali includes programs to deliver primary health care (i.e. immunization and women’s reproductive health) and infrastructure (i.e. transportation and employment in local economic initiatives) to demonstrate the efficacy and value of state institutions.
The decision to commit troops from Europe to foreign soil remains, Ashton emphatically stated, the responsibility of the individual sovereign states, and of their democratically elected representatives who, in making such commitments, are ultimately responsible to their citizens.
Individual European nations are invited to meet with the governments and civil society leaders of countries undergoing transformations, to tell their distinct histories of democratic development.
Ashton delivered her insights in response to questions from the audience on a number of topics, including the growing magnitude of displaced regional refugees, EU-US military cooperation, and the support and criticism of the EU within European nations.
Using novel data on 50,000 Norwegian men, we study the effect of wealth on the probability of internal or international migration during the Age of Mass Migration (1850–1913), a time when the US maintained an open border to European immigrants. We do so by exploiting variation in parental wealth and in expected inheritance by birth order, gender composition of siblings, and region. We find that wealth discouraged migration in this era, suggesting that the poor could be more likely to move if migration restrictions were lifted today. We discuss the implications of these historical findings to developing countries.
This event celebrating Sweden's diverse cultures began with a reception at 5pm, followed by the showing of the award winning film Harbour of Hope (2011, Sweden / Poland / Germany / Norway / Denmark; Dir. Magnus Gertten; 76 min) with filmmaker Magnus Gertten. Ozan Sunar, the artistic director of Moriska Paviljongen (also known as "Moriskan"), rounded out the evening with a multi-media presentation on bridging communities through culture.
The Koret-Taube Conference Center
Room 130, Gunn-SIEPR Building
Magnus Gertten
Swedish filmmaker
Speaker
Ozan Sunar
Artistic Director
Speaker
Moriska Paviljongen ("Moriskan")
In societies with continuous in-and-out migration in relatively short periods the formation of dominant culture comes into shape as "popular". Continental theories for defining people's culture mostly assume some permanent structures (cultural preferences of elites or classes) in modern societies, yet not so successful for explaining the rise of popular cultures in societies like the USA. Turkey, as a country of migratory waves from its birth, is a pristine example of such a process and unique for its elites' interventions into the cultural sphere. The talk is broadly concerns with three dynamics on the formation of Turkish popular culture - demographic transition, elitist cultural policies, and partly oppositional character of people's taste.
Orhan Tekelioğlu is Chair of Department of New Media at Bahçeşehir University (Istanbul, Turkey) and Visiting Scholar at the University of Pennyslvania’s Annenberg School of Communication. He is a scholar of cultural sociology including such research fields as media consumption, the history of Turkish popular music, the sociological features of Turkish literature, and the cultural politics of the Republican period. He received his Ph.D. in Sociology from the Middle Eastern Technical University (Ankara, Turkey) and his Magisterartium degree in Sociology from the University of Oslo. He taughted in Departments of Political Science and Turkish Literature at the Bilkent University in Ankara, in the Department of Near Eastern Languages and Cultures at Ohio State University, and acted as Acting Dean of the Faculty of Communication at the Izmir University of Economics. Dr. Tekelioğlu conducts field studies on popular television dramas and reality shows, and history of jazz and popular music in Istanbul. He has published articles in Turkish and in English and submitted papers to numerous national and international congresses. Among his publications are Pop Ekran [Pop Screen, 2013], Pop Yazılar, [Pop Essays, 2006], Foucault Sosyolojisi [Sociology of Foucault, 2003], Şerif Mardin’e Armağan, [A Festschrift for Şerif Mardin, 2005), "Modernizing reforms and Turkish music in the 1930s" (Turkish Studies, 2001), and “Two Incompatible Positions in the Challenge Against the Individual Subject of Modernity” (Theory& Psychology, 1997).
Co-sponsored by the Mediterranean Studies Forum, Program on Urban Studies, the Europe Center, and Turkish Students Association
Encina Hall West
2nd floor, Room 208
Orhan Tekelioğlu
Professor and Chair of the Department of New Media at Bahçeşehir University (Istanbul, Turkey) and Visiting Scholar
Speaker
the University of Pennyslvania’s Annenberg School of Communication.
This lecture is part of the "Iberian Studies Program Lecture Series"
Co-sponsored by the Iberian Studies Program and the Center for Latin American Studies (CLAS)
Bolivar House
583 Alvarado Row
Mari Jose Olaziregi
Associate Professor of Basque literature at the University of the Basque Country-Spain and Director of the Language and Universities Department
Speaker
Etxepare Basque Institute