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Walter Scheidel
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In the Holy Roman Empire 'no prince â can forbid men passage in the common road', wrote the English jurist John Selden. In practice, moving through one the most fractured landscapes in human history was rarely as straightforward as suggested by Selden's account of the German 'liberty of passage'.

Across the Old Reich, mobile populations-from emperors to peasants-defied attempts to channel their mobility with actions ranging from mockery to bloodshed. In this study, Luca Scholz charts this contentious ordering of movement through the lens of safe conduct, an institution that was common throughout the early modern world but became a key framework for negotiating freedom of movement and its restriction in the Empire.

Borders and Freedom of Movement in the Holy Roman Empire draws on sources discovered in twenty archives, from newly unearthed drawings to first-hand accounts by peasants, princes, and prisoners. Scholz's maps shift the focus from the border to the thoroughfare to show that controls of moving goods and people were rarely concentrated at borders before the mid-eighteenth century. Uncovering a forgotten chapter in the history of free movement, the author presents a new look at the unstable relationship of political authority and human mobility in the heartlands of old-regime Europe.

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Oxford University Press
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Luca Scholz
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In this chapter I begin by discussing the impact that Luís Vaz de Camões's epic masterwork, The Lusiads (Os Lusíadas, 1572), has had on the long epic tradition in Portugal and Brazil. After this, I present a brief account of the text's many translations and its subsequent entry into the broader stream of “world literature.” I then examine key approaches to the text, beginning with Manuel de Faria e Sousa's 1639 commentary, a study that has in many senses not been surpassed. I then turn to a focused problematization of readings that have approached the text as a “Western” epic of “Eastern” conquest.

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Wiley-Blackwell
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Photograph of Professor Anna Grzymala-Busse
Courtesy of Department of Political Science
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This paper uses a Lagrangian approach to provide sufficient conditions under which money burning expenditures are used in an optimal delegation contract. For comparison, we also establish simple sufficient conditions for the optimality of a cap allocation under a restricted set of preferences for a benchmark setting in which money burning is not allowed. We also apply our findings to a model of cooperation and to a model with quadratic preferences and families of distribution functions. In addition, we provide several comparative statics results.

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Games and Economic Behavior
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Kyle Bagwell
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We propose a general and highly efficient method for solving and estimating general equilibrium heterogeneous-agent models with aggregate shocks in discrete time. Our approach relies on the rapid computation and composition of sequence-space Jacobians—the derivatives of perfect-foresight equilibrium mappings between aggregate sequences around the steady state. We provide a fast algorithm for computing Jacobians for heterogeneous agents, a technique to substantially reduce dimensionality, a rapid procedure for likelihood-based estimation, a determinacy condition for the sequence space, and a method to solve nonlinear perfect-foresight transitions. We apply our methods to three canonical heterogeneous-agent models: a neoclassical model, a New Keynesian model with one asset, and a New Keynesian model with two assets.

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Adrien Auclert
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In the context of interwar Poland, we find that Jews tended to be more literate than non Jews, but show that this finding is driven by a composition effect. In particular, most Jews lived in cities and most non-Jews lived in rural areas, and people in cities were more educated than people in villages regardless of their religion. The case of interwar Poland illustrates that the Jewish relative education advantage depends on the historical and institutional contexts.

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NBER Working Paper
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Ran Abramitzky
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Using millions of historical census records and modern birth certificates, we document that immigrants assimilated into US society at similar rates in the past and present. We measure cultural assimilation as immigrants giving their children less foreign names after spending more time in the United States, and show that immigrants erase about one-half of the naming gap with natives after 20 years both historically and today. Immigrants from poorer countries choose more foreign names upon first arrival in both periods but are among the fastest to shift toward native-sounding names. We find substantial cultural assimilation for immigrants of all education levels.

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American Economic Review: Insights
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Ran Abramitzky
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More than the persistent beat of a song or the structural frame of poetry, rhythm is a deeply imbedded force that drives our world and is also a central component of the condition of human existence. It’s the pulse of the body, a power that orders matter, a strange and natural force that flows through us. Virginia Woolf describes it as a “wave in the mind” that carries us, something we can no more escape than we could stop our hearts from beating.

Vincent Barletta explores rhythm through three historical moments, each addressing it as a phenomenon that transcends poetry, aesthetics, and even temporality. He reveals rhythm to be a power that holds us in place, dispossesses us, and shapes the foundations of our world. In these moments, Barletta encounters rhythm as a primordial and physical binding force that establishes order and form in the ancient world, as the anatomy of lived experience in early modern Europe, and as a subject of aesthetic and ethical questioning in the twentieth century.

A wide-ranging book covering a period spanning two millennia and texts from over ten languages, Rhythm will expand the conversation around this complex and powerful phenomenon.

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University of Chicago Press
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The 2017 iteration of the Festival de Marseille, with its dual sub-themes of “Focus Afrique” and “Focus Marseilles”, produced a space of being-in-common in response to the divided political climate of France. It encouraged a rethinking of citizenship and nationhood in terms of an inoperative community, rather than a center-periphery dualism.  For three weeks, the festival's performers danced, acted, and embodied their identities as a reminder that (the identity of social) space is constantly re-produced and re-inscribed with new meaning. Stemming from a larger ethnographic study that investigates the political potential of the festival as an intervention into fraught immigration policies of integration particular to France, this essay reimagines the Festival de Marseille—danse et arts multiples 2017 as a successful production of space for rehearsing an inoperative community in Europe’s most diverse city, as it contextualizes place, body, event, and the commons at the site of the festival. Located at the periphery of Europe, the Mediterranean, and North Africa, Marseille lives as a city on the edge, a geographic point that decenters the border of French national identity. Yet through its temporary occupation of the city, the festival crossed spatial, aesthetic, and thematic divisions of the center and periphery through its installation.
 
Anna Jayne Kimmel is a second year PhD student in Performance Studies pursuing a minor in Anthropology and graduate certificate in African Studies, with an emphasis in dance, memory, and public performance as politics. Her current research intersects: race, national identity, and post-colonialism through performance. As a dancer, Kimmel has performed the works of: Ohad Naharin, Trisha Brown, John Jaspers, Francesca Harper, Rebecca Lazier, Olivier Tarpaga, Marjani Forte, Susan Marshall, Loni Landon, and Christopher Ralph, amongst others. She holds an AB from Princeton University in French Studies with certificates in African Studies and Dance, and serves on the Future Advisory Board to Performance Studies international.

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Anna Jayne Kimmel Stanford University
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