Lecture to be delivered in Spanish

Kirmen Uribe (Ondarroa, Basque Country, 1970), Premio Nacional de Narrativa 2009 for his novel Bilbao-New York-Bilbao and Premio Nacional de la Crítica for his poetry collection Bitartean heldu eskutik (Meanwhile take my hand, Graywolf, 2007) will discuss the writing of his novel and methodological aspects such a self-fiction, the novel's network structure,  and the construction of a hybrid genre between reality and fiction, as well as what it means to write for the world from a Basque context.

Sponsored by the Europe Center and the Iberian Studies Program

Seminar Synopsis:

The memory euphoria of the past half-century has, if anything, raised awareness of the constructed or invented nature of national memories and their complexity. Because the articulation between the normative rules of public memory and the at times politically incorrect claim to a right to private memory is representational and discursive, cultural artefacts, such as literary texts, films, photographs, videos or monuments have seismically materialized as go-betweens in the memory wars. The memories of empire in the Portuguese cultural tissue have been over the past 40 years after independence of the former colonies contentious sites, where a certain colonial melancholia clashes with a critical nostalgia that has been growing particularly amongst a generation of artists born after decolonization. Colonial melancholia is not simply a result of recent traumatic events, but spreads over two centuries in a pathological inheritance filled with resentment, humiliation, violence, denial, myth and mystification. This melancholic vision of the past has been mediated and disseminated by several media from texts to monuments, photos and films, which have either become accomplices in this regime of power, or have sought to subvert it and have finally created spaces of ambivalence and hybridity. A notorious example of the mediation of the colonial regime was of course photography.  Visibility was pivotal to the image world of the imperial regime, that not only needed to dominate the reality portrayed in the new medium, but which also made use of it for the sake of its own assertive self-representation. The talk inquires into this regime of visibility and seeks by means of a practice of interference to unravel the colonial discourse that used the perceived essentializing of reality supported by visual ‘objectivity’ to create a structure of feeling based on melancholy and nostalgia that would become the dominant  memory of empire in Portuguese culture.  Arguably, in this practice of interference resonates a practice of cultural literacy that allows for the reinterpretation and re-contextualization not only of what the images showed, but  what they meant. Then again, it is precisely a regained cultural literacy in the reading of the visual that lies at the root of the project of critical visual nostalgia enacted by contemporary video artists in the fragmented deconstruction of the imaginary wholeness of nostalgic thinking embedded in home movies.

Ever since December 1999, when Greece lifted its longstanding veto and Turkey became an EU candidate state, Greece and Turkey have attempted to overcome animosity and mistrust and resolve their perennial disputes. I argue that despite significant improvements at the level of economic, energy cooperation and minority rights, no breakthrough has been achieved on high-politics issues. The intractable Cyprus question has remained the biggest burden to any reconciliation attempt. Positive spillover of functional cooperation cannot by itself overcome the legacy of decades of acrimonious relations and accumulated disputes. Greece’s mounting economic and social crisis and Turkey’s new foreign policy activism can pose additional obstacles to the resolution of longstanding disputes, absent determined leadership on both sides. Only strong, visionary leadership on both sides can help overcome the pending stalemate.

Ioannis Grigoriadis is Assistant Professor of Political Science at Bilkent University (Ankara, Turkey) and Research Fellow at the Hellenic Foundation for European and Foreign Policy (ELIAMEP). He received his M.A. in International Affairs from the School of International & Public Affairs at Columbia University, and his Ph.D. in Politics from the School of Oriental & African Studies at the University of London. He specializes in European, Middle Eastern and comparative politics with a particular focus on energy politics, nationalism, and democratization. Among his publications are “Redefining the Nation: The Shifting Boundaries of the ‘Other’ in Greece and Turkey” (in Middle Eastern Studies, 2011), “Europe and the Impasse of Centre-Left Politics in Turkey: Lessons from the Greek Experience” ( in Journal of Balkan and Near Eastern Studies, 2010), Trials of Europeanization: Turkish Political Culture and the European Union (2009), “Friends No More?: The Rise of Anti-American Nationalism in Turkey” (in Middle East Journal, 2010),  “Islam and Democratization in Turkey: Secularism and Trust in a Divided Society” (in Democratization, 2009), and “On the Europeanization of Minority Rights Protection: Comparing the Cases of Greece and Turkey” (in Mediterranean Politics, 2008)

Part of the 2011-12 lecture series on Greece and Turkey, sponsored by The Mediterranean Studies Forum and the Europe Center