This lecture deals with the
strategies of reconstructing the suppressed memory of traumatic events in
Kosova, Afghanistan, and Bosnia and Herzegovina at the end of the 20th century.
In this period of transitions and changes, history has become a key conflict
arena in which identity and memory are being waged. Milica Tomic's work addresses these issues in an
unconventional way that challenges traditional ‘representation’ (or lack of
thereof) of the past events. By combining three of her exhibited projects xy-üngelost, container and Srebrenica
– this talk attempts to investigate the ways in which we can engage with the
past to confront the drives to forget. Thus re-constructed material and social
network of events critically investigate the politics of rights to narrate
traumatic events from the past. Proceeding from the fact that what we cannot
remember tells us about that which we cannot forget, Milica Tomic interprets the syntagm “politics of memory” as
a demand for a renewal of politics. Stated in the negative form, it goes: There
is no memory without politics!/There is no oblivion without politics!
Milica Tomic works and lives in Belgrade as a visual artist, primarily video, film,
photography, performance, action, light and sound installation, web projects,
discussions etc. Tomic's work centers on issues of political
violence, nationality and identity, with particular attention to the tensions
between personal experience and media constructed images. Milica
Tomic's
has exhibited globally since 1998 and participated in numerous exhibitions
including Venice Biennale in 2001 and 2003, Sao Paulo Biennale in1998, Istanbul
Biennale in 2003 and Sidney Biennale in 2006, Prague Biennale in 2007, Gyumri
Biennale in 2008. Tomic's work was exhibited
in a wide international context including the Museum voor Moderne Kunst,
Arnhem, Holland, Kunsthalle Wien, Austria, Moderna Museet, Stockholm, Sweden,
MUMOK- Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria, Fundacio
Joan Miro, Barcelona, Spain, Ludwig Museum Budapest, Hungary, Malmo Konsthall,
Malmo, Sweden, Palazzo Della Triennale Milano, Milan, Italy, Museum of
Contamporary Art Belgrade, Serbia, GfZK- Galerie fur Zeitgenussische Kunst,
Leipzig, Germany, State Museum of Contemporary Art Thessaloniki, Greece,
Kunsthalle Fridericianum, Kassel, Germany, Copenhagen Contemporary Art Center,
Copenhagen, Denmark, Brooklyn Museum of Art, New York, USA, Freud Museum,
London, UK, KIASMA Nykytaiteen Museo, Helsinki, Finland, Nasjonalmuseet for
Kunst, Arkitektur og Design, Oslo, Norway, Stedelijk Museum, Amsterdam, Holland
etc.
A founder and member of the Monument
Group, Tomic is a organizer of numerous international
art projects and workshops, as well as lecturer at international institutions
of contemporary art, such as: NIFCA (Nordic Institute for Contemporary Art),
Kuvataideakatemia / Academy of Fine Arts, Helsinki, Finland, Piet Zwart
Institut, Rotterdam, Holland, Akademie der bildenden Künste, Vienna, Austria
and others.
Jointly sponsored by the Forum on Contemporary Europe, Archaeology Center, Department of Art and Art History, and Center for Russian, East European and Eurasian Studies.