Culture
-

This talk presents the prolonged deadly encounter between the Germans and Soviets in World War II as a clash between two different interpretive templates.  In engaging the Soviet enemy, Nazi German leaders and soldiers employed visual frames of analysis, centering on physiognomy and racial makeup.  As they fought back, the Soviets assessed the German invaders through a palpably textual register, focusing on their psychology and political consciousness.  The talk shows how these templates worked in Nazi Germany and the Soviet Union and how they collided in the course of the war.

Talk Synopsis:

In this seminar Jochen Hellbeck explains the German-Soviet war as having been a battle of "images against words," a term that reflects both a clash of wartime ideologies and the different choices of media used to express these ideologies. Germany, Hellbeck explains, relied heavily on visual media, using videos and photos as propaganda, while the Soviets used written materials to inspire their soldiers and citizens and to demoralize Germans. Hellbeck focuses on the battle of Stalingrad, which involved a long standoff and extended exposure between the two sides.

The Germans used multimedia, as well as strong visual imagery in written materials, to portray the battle as a conquest of an inferior race and a vast landscape available for the taking. A compilation of German soldiers' reports from the Eastern front in July 1941, and the 1942 war diary of a German journalist  embedded with troops in Stalingrad, use descriptive imagery to paint Soviets as mute and beastly and Germans as war heroes full of vitality.  Letters from German officials employed vivid language of the landscape, with repeated references to art as representations of German culture and greatness. Wartime photography by German soldiers, many of whom were amateur photographers, was common. The German use of visual media is exemplified by "Soviet Paradise," a 1942 short film made to discredit the Soviet Union's campaign of print propaganda. The film, which employed sophisticated cinematography techniques and very little commentary, was made into an exhibit in Berlin during the summer of 1942 and was visited by 1 million people.

In contrast, the Soviets did not come close to the amount of investment the Germans made in wartime multimedia.   Soviet soldiers were forbidden from keeping photos, and only officers could occasionally take them, in the rare event they had access to cameras. Instead, Hellbeck finds ample written records of the Soviet wartime experience. The Soviet military leadership commissioned a war history and invested heavily in the work of Soviet writers and historians, rather than photographers or film crews, to document events on the front lines.

Hellbeck’s presentation also includes analysis of the war records of prominent military personnel on both sides, as well as a review of the sources he used in his research, and his perceptions of how the Germans and Soviets interpreted each other’s wartime records. The next step in Hellbeck's research project will involve comparing techniques used in German and Soviet news film chronicles.

A discussion period following the talk addressed such questions as: did Germans and Soviets employ the same strategies in their military engagements with other countries? Why is there so much portrayal of Soviet POWS in Germany, and so little of German POWs in the Soviet Union? How was the defeat at Stalingrad represented by the Germans and by the Soviets? How did the strategies resonant with the respective sides?

 

About the Speaker:

Jochen Hellbeck is Associate Professor in the Department of History at Rutgers University.  He is the author of Revolution On My Mind: Writing a Diary under Stalin (Harvard, 2006), and is currently writing a book about the clash and the entanglements of Germans and Soviets in the battle of Stalingrad.

Reuben W. Hills Conference Room

Jochen Hellbeck Associate Professor, History Speaker Rutgers University
Seminars
-

This lecture on Thursday, April 28 will follow two workshops, one on Monday, April 25 from 5:30 to 7:30 PM and one on Wednesday, April 27 from 5:00 PM to 7:00 PM. Both workshops will take place in Bldg. 260, room 252 (German Studies library). No RSVP is necessary.

About the Lecture:
Since the publication of his Critique of Cynical Reason (German original, 1983; English translation, 1988), Peter Sloterdijk has produced a philosophical body of work – and invented a new shape for the role of the public intellectual – that have given him a unique (perhaps even unprecedented) resonance in German culture. Bringing together, in an epistemologically innovative and always provocative way, discourses and impulses from traditions mainly going back to Nietzsche and Heidegger, Sloterdijk has become one of the most influential and insightful analysts of present-day western culture in its global context. His language and style have opened up surprising convergences between philosophy and literature. Both the content and the forms of his work have made thinkable a productive transformation of the Humanities and Arts inside and outside of the university.

In two workshops and a concluding lecture on the topic “Latency and Explicitness: Towards the Transformation of Metaphysics into General Immunology,” Peter Sloterdijk will address a topic that has been dealt with in several Stanford seminars and workshops over the past year.

Bldg. 460, Terrace Room (4th floor)

Peter Sloterdijk Philosopher and Writer Speaker
Lectures

Department of History
Building 200, Room 11
Stanford, CA 94305-2024

(650) 725-5560 (650) 725-0597
0
Daniel E. Koshland Professor in Jewish Culture and History
Professor of History
Zipperstein_Web.jpg PhD

Steven J. Zipperstein is the Daniel E. Koshland Professor in Jewish Culture and History at Stanford University. He has also taught at universities in Russia, Poland, France, and Israel; for six years he taught Jewish history at Oxford University. From 1991-2007, he was Director of the Taube Center for Jewish Studies at Stanford. Zipperstein is the author and editor of nine books including The Jews of Odessa: A Cultural History (1986, winner of the Smilen Prize for the Outstanding book in Jewish history); Elusive Prophet: Ahad Ha’am and the Origins of Zionism (1993, winner of the National Jewish Book Award); Imagining Russian Jewry (1999); and Rosenfeld’s Lives: Fame, Oblivion, and the Furies of Writing (2008, shortlisted for the National Jewish Book Award in Biography, Autobiography and Memoir).  His work has been translated into Russian, Hebrew, and French. Zipperstein’s latest book, Pogrom:  Kishinev and the Tilt of History, published by Liveright/W. W. Norton in 2018, has been widely reviewed in newspapers and magazines in the United States and England including The New York Times, New York Review of Books, The New Yorker, The New Statesman, Literary Review, and the San Francisco Chronicle. The Economist, Ha-Aretz, San Francisco Chronicle and Mosaic Magazine have named it one of the best books of the year.  It was a finalist for the National Jewish Book Award (History) and Mark Lynton award for the best non-fiction book of 2018. 

He has been awarded the Leviant Prize of the Modern Language Association, the Judah Magnes Gold Medal of the American Friends of the Hebrew University, and the Koret Prize for Outstanding Contributions to the American Jewish community.  He has held fellowships at the Radcliffe Institute at Harvard University, the Institute for Advanced Studies at the Hebrew University of Jerusalem, the Yitzhak Rabin Institute in Tel Aviv, and has twice been a Visiting Professor at the Ecole des Hautes Etudes Sciences Sociales.  In spring 2014, he was the first Jacob Kronhill Scholar at the YIVO Institute for Jewish Research, in New York. At Stanford, and earlier at Oxford and UCLA, he has supervised the dissertation work of more than thirty students now teaching at universities and colleges in the United States, Canada, and elsewhere.  He has delivered keynote addresses and endowed lectures at several dozen universities in the United States and abroad including the Hebrew University, Jerusalem; Central European University, Budapest; Emory; UCLA; University of Wisconsin, Madison; Vanderbilt, and the National Yiddish Book Center. 

Zipperstein’s articles have appeared in The New York Times Sunday Book Review, the Washington Post, The New Republic, the Jewish Review of Books, Chronicle of Higher Education and in many scholarly journals.  He was an editor of Jewish Social Studies for twenty years, and the book series Stanford Studies in Jewish History and Culture for a quarter of a century.  He is immediate past Chair of the Academic Council of the Center for Jewish History, in New York. Together with Anita Shapira, he is series editor of the Yale University Press/Leon Black Foundation Jewish Lives volumes that were named in 2015 the best books of the year by the National Jewish Book Council -- the first time a book series has won this prize. Some forty-five Jewish Lives books have already appeared, and Zipperstein is currently at work on a biography of Philip Roth for the series.  He and his wife Susan Berrin live in Berkeley.  

Affiliated faculty at The Europe Center

Department of Art and Art History

(650) 723-0513
0
Osgood Hooker Professor of Fine Arts
pavle.jpeg

Pavle Levi is Osgood Hooker Professor of Fine Arts in the Art Department's Film and Media Studies Program. He is the author of several books, most recently, Jolted Images: Unbound Analytic (2018). He is the recipient of the 2011 Gores Award for Excellence in Teaching.

Affiliated faculty at The Europe Center
-

5:00 pm: Reception
6:00 PM: Screening of “Coffee Futures”
(2009, 22 minutes), followed by a discussion with:

  • Zeynep Gursel
    (Department of Anthropology, University of Michigan- Ann Arbor; Director & Co-producer of “Coffee Futures”)
  • Hakan Tekin
    (Consul General of the Republic of Turkey in Los Angeles)
  • Cihan Tugal
    (Department of Sociology, University of California- Berkeley)

Panelists will focus on political, historical and cultural issues surrounding Turkey’s accession to the European Union.

Coffee Futures (2009, 22 minutes) weaves together the Turkish custom of coffee fortune-telling with Turkey’s attempt to join the European Union since 1959, revealing the textures of a society whose fate has long been nationally and internationally debated often in relation to Europeanness. It aims to encourage a dialogue born from openness, and explores what kind of a place one wants Europe to be in the future.  Coffee Futures received 2009 Special Jury Award for Originality from EurActiv Fondation. In 2010,  it received Best Documentary Short Award in MiradasDoc Festival, Audience Award in !f Istanbul International Independent Film Festival, and Audience Award in Ann Arbor Film Festival. For more information, please visit http://www.neysehalimfilm.com/

Zeynep Gursel is Assistant Professor of Anthropology at the University of Michigan- Ann Arbor, and director & co-producer of “Coffee Futures.” She received her Ph.D. in Anthropology from the University of California-Berkeley. Her research focuses on how things become imagineable both for individuals and groups, and how forms in which the past and today are narrated are shaped by, and in turn shape, expectations of the future. She was introduced to the documentary world when she worked on Damming the Euphrates(Paxton Winters, 2001) in Southeast Turkey. She is currently completing a book manuscript, Image Brokers,  on the culture of the international photojournalism industry. 
 
Hakan Tekin is Consul General of the Republic of Turkey in Los Angeles. He received his B.A.in International Relations from Ankara University in 1989 and joined the Ministry of Foreign Affairs of the Republic of Turkey in 1990. He served in Abu Dhabi (United Arab Emirates) and Sofia (Bulgaria), attended the NATO Defense College Senior Course in Rome, and worked at the Permanent Mission of Turkey to the United Nations in New York. He assumed his post in Los Angeles as Consul General in April 2007.

Cihan Tugal is Associate Professor of Sociology at the University of California- Berkeley. He received his Ph.D. in Sociology from the University of Michigan- Ann Arbor. His research focuses on the role of religion in political projects and how the interaction between religion and politics shapes everyday life, urban space, class relations, and national identity. His book Passive Revolution: Absorbing the Islamic Challenge to Capitalism was published in 2009 by Stanford University Press. His works also appeared in Economy and Society, Theory and Society, Sociological Theory, the New Left Review, the Sociological Quarterly, and edited volumes.

Co-sponsored by the Mediterranean Studies Forum, The Europe Center, The Abbasi Program in Islamic Studies, Turkish Student Association,  Ford Dorsey Program in International Policy Studies.

Paul Brest Hall East
Munger Graduate Residence
Building 4
555 Salvatierra Walk

Zeynep Gursel Department of Anthropology, University of Michigan- Ann Arbor; Director & Co-producer of “Coffee Futures” Speaker
Hakan Tekin Consul General of the Republic of Turkey in Los Angeles Speaker
Cihan Tugal Speaker Department of Sociology, University of California- Berkeley
Conferences
-

5 mm film screening (94 mins) followed by a Q&A session with the film director Florin Serban, and moderated by Steve Kovacs, Professor, Cinema Department at San Francisco State University.

Film Synopsis:

Silviu has only 5 days left before his release from the juvenile detention centre. But 5 days becomes an eternity when his mother returns from a long absence to take his younger brother away - a brother whom he raised like a son. Moreover, he has fallen in love with a beautiful social worker. With time running out and his emotions boiling over, Silviu closes his eyes... freedom, the wind, the road, his first kiss. Anything can happen to him now...

About the Director:
Florin Serban was born born in Resita, Romania in 1975. He studied philosophy at Babes-Bolyai University in Cluj-Napoca earning a Master’s degree in Philosophy of Culture & Hermeneutics. He was accepted in the Film Program at the National University of Theatre and Film Arts in Bucharest where he studied film directing. In parallel, he also worked as producer/director for ProTv Bucharest and wrote, directed and acted in several short films. Florin continued his studies on a full scholarship at Colombia University in New York City and graduated five years later with a MFA in film directing. Upon his graduation, Serban returned to Romania and directed his first feature lengh film titled If I Want To Whistle, I Whistle, which premiered at the 2010 Berlin Film Festival, winning the Silver Bear and the Alfred Bauer Prize for innovation in filmmaking. Recently Florin Serban founded an acting school for people from different social and economic backgrounds including youth who have been through the correctional or penitenciary systems in Romania.

Co-sponsored by the Billie Achilles Fund; Bechtel International Center, Graduate Student Council, Romanian Student Association, Special Language Program, Drama Department, and The Europe Center, Stanford; ISEEES, UC Berkeley; IRC Bucharest, Romania; Romanian Honorary Consulate, San Francisco; Casa Romana, Hayward; Blue Collar Films, San Francisco; Coupa Cafe, Palo Alto

Cubberley Auditorium

Conferences
-

Frédéric Mitterrand is the French Minister of Culture and Communication. Throughout his career, he has been an actor, screenwriter, television presenter, writer, producer and director.

Sponsored by The France-Stanford Center for Interdisciplinary Studies, The San Francisco French Consulate, The Stanford Humanities Center and The Europe Center at the Freeman Spogli Institute, Stanford University.

Oksenberg Conference Room

Frédéric Mitterrand French Minister of Culture and Communication Speaker
Seminars
Paragraphs

For over 2,000 years, banks have served to facilitate the exchange of money and to provide a variety of economic and financial services. During the most recent financial collapse and subsequent recession, beginning in 2008, banks have been vilified as perpetrators of the crisis, the public distrust compounded by massive public bailouts. Nevertheless, another form of banking has also emerged, with a focus on promoting economic sustainability, investing in community, providing opportunity for the disadvantaged, and supporting social, environmental, and ethical agendas. Social Banking and Social Finance traces the emergence of the “bank with a conscience” and proposes a new approach to banking in the wake of the economic crisis. Featuring innovations and initiatives in banking from Europe, Canada, and the United States, Roland Benedikter presents an alternative to traditional banking practices that are focused exclusively on profit maximization. He argues that social banking is not about changing the system, but about improving some of its core features by putting into use the "triple bottom line" principle of profit-people-planet. Important lessons can be learned by the success of social banks that may be useful for the greater task of improving the global financial system and avoiding economic crises in the future.

 

 

Critical Acclaim for This Publication

 “This volume provides a description of social banking and social finance, their background in the history of ideas and their importance within the current globalized economy. It is not only an excellent didactical introduction, but also an entertaining and at the same time scientifically sound and differentiated explanation, which to my knowledge is so far unparalleled in English-speaking academia. I believe that the insights of this volume can have a progressive impact on the thinking about money and finance of the new generations, as well as the broader public in theUnited States and inEurope. I therefore consider this volume to be one step (among the many necessary) toward a realistic and sober rethinking of capitalism. Even if it is just a brief text and thus a small step, it is an important one. Because, as German philosopher Friedrich Nietzsche said, every long voyage starts with a brief first step. And this step, as compressed, simple and surprising as it may sometimes seem, may prove to be inspiring for those which come afterwards. I think that Benedikter’s volume is a valid response to the profound challenges arisen with the economic and financial crisis of 2007–2010. The solutions and perspectives it proposes are useful tools to help us to avoid further crises.”

-Professor Dr. Hans Christoph Binswanger, Chair Emeritus of National Economics, University St. Gallen, Switzerland, and former director of the Swiss Research Association on National Economics, Zürich 

 

“The recent crisis has shown that the time for more differentiated and just approaches to money and finance is ripe. I hope that with this outstanding didactical introduction oriented not primarily toward specialists, but to students and teachers, as well as to the broad public, the discussion about how we can move forward in making better use of money and finance will gain further momentum. This volume is an important contribution to broadening the financial literacy of our time.”

-Professor Dr. Udo Reifner, Department for Economics and Social Science, Hamburg University

 

“This is a clear and intense text. It has the advantage of summoning up some of the most important questions of current economics and finance in a short, easily  understandable and well-structured way. The reader is on the one hand provided insight into the main issues of today’s debate about the future of capitalism. On the other hand, she and he are informed about the ongoing (r)evolution in the banking and finance sector. The present change goes beyond the traditional reductionisms of the mainstream banking and finance sector. It starts to demonstrate how the creation of economic value on the one hand and a sustainable social and environmental development on the other hand can be integrated into one and the same approach. The international educational sector has to be grateful for this volume.”

-Professor Dr. Leonardo Becchetti, Department of Economics, Università Roma II “Tor Vergata, ”Italy 

 

“One of the first soundly scientific publications of its kind in English, this volume provides a complete overview over the contemporary field of social banking and social finance. Written in a short and easily understandable manner, it explains the history, the philosophy, the current state, and the perspectives of social banking and social finance in theUnited Statesand inEurope. This volume is an indispensable first entry for everybody who wants to know how we can deal with money in a better, sustainable way.” 

-Professor Dr. Ernst Ulrich von Weizsäcker, dean emeritus, Bren School of Environmental Science and Management, University of California at Santa Barbara, former policy director of the United Nations, Centre for Science and Technology for Development New York City, member of the Club of Rome, ordinary commissioner of the World Commission on the Social Dimensions of Globalization  

 

“Without need of prior knowledge, this volume is the ideal introduction to social banking and social finance for students and teachers. As a result of the economic crisis of 2007–2010, the request for a better handling of money and finance has increased on a global level. Social banking and social finance are answers that while not everybody must agree with them, they are worth to be known by everybody who wants to join the discussion on a well founded basis.”

-Professor Hanns-Fred Rathenow, director of the Institute of Social Sciences and Education in History and Politics, head of the Center for Global Education and International Cooperation, The Technical University of Berlin

 

“Social banking is a field of civil society engagement that has surfaced to international attention during the most recent financial crisis. This volume is an excellent introduction from a contemporary viewpoint. It departs from outlining the main traits of the economic crisis of 2007–2010, but its insights and teachings are not limited to it. This volume uses the crisis just as a starting point to explain how the financial system can move forward toward a more rational constellation of balance and inclusion. It is as unique as it is valuable.”

-Professor Dr. James Giordano, The Oxford Uehiro Centre for Practical Ethics, Oxford University, director of Academic Programs of The Potomac Institute for Policy Studies Arlington, Virginia

 

“I appreciate particularly the interdisciplinary and multilayered approach of this volume. It is one of the first English publications that transcends the limits of reducing social banking and social finance to ‘developmental aid’ for the so-called ‘developing world,’ or to simply identify it with approaches like ‘helping the poor’, like it has been done too often in the past. Instead, as this volume shows, social banking and social finance are more: They are about rationally and soberly innovating the system of capitalism, but without revolutionizing it. That is because social banks consider capitalism as a basic social good of modernity, that in the aftermath of the crisis has to be transformed into a ‘better’ capitalism which serves the greater society instead of benefiting just a few. The whole argumentation of this volume is about creating a broader range of options for the average bank customer in theUnited Statesand Europeand to make the use of capital more ‘humane,’ by serving the specific needs of the ‘real economy’ instead of abstract speculation. This volume, although short and concise, gives a quite realistic picture of the situation and its perspectives. The author finds the right balance between simplification, precision, and vision.”

-Professor Dr. Michael Opielka, Department of Social Welfare and Social Politics, The University of Applied Sciences Jena, Germany

All Publications button
1
Publication Type
Books
Publication Date
Journal Publisher
Springer Briefs
Authors
Number
978-1-4419-7773-1
Subscribe to Culture