Birgit Lodes | Echoes of Dedication: Beethoven and the Women Who Shaped His Art
Birgit Lodes explores how women inspired and performed, enabled and transformed Beethoven's music and legacy.
Beethoven dedicated printed works to sixty-three individuals––twenty-three of them women–– mostly from the high nobility or the “second society” that shaped Viennese musical life and patronage around 1800. Nearly all knew the composer personally and shared his enthusiasm for a refined ideal of music that functioned as social and symbolic capital in the Bourdieusian sense. Beethoven’s dedications thus can offer a window into the social conditions of composition, early performance practices, and the meanings attached to these works. The pieces Beethoven dedicated to women—chiefly songs and piano compositions—not only reflect the gendered norms of musical education and salon culture central to his professional life, but, as I will argue, were often specifically crafted to suit the individual tastes and abilities of these women.
Several of these works might never have existed without the inspiration and engagement of these female patrons and performers. Shifting the focus from the composer’s public “heroic” oeuvre to works reflecting his artistic and social engagements within these circles reveals a different Beethoven: one deeply embedded in the musical, cultural, and sociological networks of his time. Reconsidering these contexts challenges long-standing nationalist and bourgeois-masculine narratives and highlights the active, formative role of aristocratic women as patrons, performers, and mediators of Beethoven’s art in Habsburg Vienna.
Birgit Lodes studied in Munich, at UCLA, and at Harvard University. Since 2004, she has been Professor of Historical Musicology at the University of Vienna and currently serves as Distinguished Visiting Austrian Chair at Stanford University. She is a corresponding member of the Austrian Academy of Sciences and editor-in-chief of the series Denkmäler der Tonkunst in Österreich. Her research focuses on musical life in Central Europe around 1500 (https://musical-life.net/en), as well as on Beethoven, Schubert, and their circles.
A World in the Making: Urbano Monte's Global Map Circa 1587
The Revolution to Come: A History of an Idea from Thucydides to Lenin
Political thinkers from Plato to John Adams saw revolutions as a grave threat to society and advocated for a constitution that prevented them by balancing social interests and forms of government. The Revolution to Come traces how evolving conceptions of history ushered in a faith in the power of revolution to create more just and reasonable societies.
Taking readers from Greek antiquity to Leninist Russia, Dan Edelstein describes how classical philosophers viewed history as chaotic and directionless, and sought to keep historical change—especially revolutions—at bay. This conception prevailed until the eighteenth century, when Enlightenment thinkers conceived of history as a form of progress and of revolution as its catalyst. These ideas were put to the test during the French Revolution and came to define revolutions well into the twentieth century. Edelstein demonstrates how the coming of the revolution leaves societies divided over its goals, giving rise to new forms of violence in which rivals are targeted as counterrevolutionaries.
A panoramic work of intellectual history, The Revolution to Come challenges us to reflect on the aims and consequences of revolution and to balance the value of stability over the hope for change in our own moment of fear and upheaval.
Birgit Lodes
Birgit Lodes studied in Munich, at UCLA, and at Harvard University. She has been Full Professor at the University of Vienna since 2005, and a corresponding member of the Austrian Academy of Sciences since 2008. Her research focuses on Beethoven, Schubert, and on music around 1500.
Amputation and Warfare in the Eleventh Century: Absence, Sensation, and Embodiment
Kurt Weill's Music Theater: From Songplay to American Opera
Nicholas Baer | The Ends of Perfection: On a Limit Concept in Global Film and Media Theory
This talk examines the concept of aesthetic perfection against the backdrop of today’s digital mediascape, where the latest screen technologies promise sharp, pristine images with lossless compression and a lifelike appearance. While, in Hito Steyerl’s account, the circulation of “poor” or “imperfect” images can disrupt hegemonic media logics, I demonstrate that the very ideal of perfection is an engine of semantic instability in the modern age. Intervening in contemporary debates about “rich” and “poor” images, and “high” and “low” definition, my lecture offers a differentiated and historically dynamic understanding of perfection as a limit concept in global film and media theory. I argue that moving images played a crucial role in the redefinition of perfection, as classical conceptions of the term gradually and unevenly gave way to perfectionism, perfectibility, and an aesthetics of imperfection. Integrating Reinhart Koselleck’s method of conceptual history into the study of moving images, my talk reconceives the history of global film and media theory as one of semantic persistence, change, and radical novelty of meaning.
Nicholas Baer is Assistant Professor of German at the University of California, Berkeley, with affiliations in Film & Media, Critical Theory, and Jewish Studies. He is author of Historical Turns: Weimar Cinema and the Crisis of Historicism (University of California Press, 2024) and co-editor of three volumes: The Promise of Cinema: German Film Theory, 1907–1933 (University of California Press, 2016), Unwatchable (Rutgers University Press, 2019), and Technics: Media in the Digital Age (Amsterdam University Press, 2024).
This event is hosted by the Stanford Humanities Center and co-sponsored by The Europe Center.
Stanford Humanities Center
424 Santa Teresa Street
Also online via Zoom
Christophe Crombez | The 2024 European Parliament Elections
Another turn to the right or more of the same?
Voters in the twenty-seven member states of the European Union head to the polls in early June to elect a new European Parliament for the next five years. Can we expect another victory for the populist right, as we have witnessed in so many recent elections throughout the world? In this talk we discuss the balance of power and policy achievements of the outgoing Parliament, and look ahead at the results we can expect in June. We further consider the implications of the widely expected sharp turn to the right for the functioning of the Parliament and EU policy making.
Christophe Crombez is a political economist who specializes in European Union (EU) politics and business-government relations in Europe. His research focuses on EU institutions and their impact on policies, EU institutional reform, lobbying, party politics, and parliamentary government.
Crombez is Senior Research Scholar at The Europe Center at the Freeman Spogli Institute for International Studies at Stanford University (since 1999). He is also Professor of Political Economy at the Faculty of Economics and Business at KU Leuven in Belgium (since 1994). Crombez obtained a B.A. in Applied Economics, Finance, from KU Leuven, and a Ph.D. in Business, Political Economics, from Stanford University.
*If you need any disability-related accommodation, please contact Shannon Johnson at sj1874@stanford.edu. Requests should be made by May 2, 2024.
Encina Hall East, 2nd floor, Reuben Hills Conference Room
Christophe Crombez
Encina Hall
Stanford University
Stanford, CA 94305
Christophe Crombez is a political economist who specializes in European Union (EU) politics and business-government relations in Europe. His research focuses on EU institutions and their impact on policies, EU institutional reform, lobbying, party politics, and parliamentary government.
Crombez is Senior Research Scholar at The Europe Center at the Freeman Spogli Institute for International Studies at Stanford University (since 1999). He teaches Introduction to European Studies and The Future of the EU in Stanford’s International Relations Program, and is responsible for the Minor in European Studies and the Undergraduate Internship Program in Europe.
Furthermore, Crombez is Professor of Political Economy at the Faculty of Economics and Business at KU Leuven in Belgium (since 1994). His teaching responsibilities in Leuven include Political Business Strategy and Applied Game Theory. He is Vice-Chair for Research at the Department for Managerial Economics, Strategy and Innovation.
Crombez has also held visiting positions at the following universities and research institutes: the Istituto Italiano di Scienze Umane, in Florence, Italy, in Spring 2008; the Department of Political Science at the University of Florence, Italy, in Spring 2004; the Department of Political Science at the University of Michigan, in Winter 2003; the Kellogg Graduate School of Management at Northwestern University, Illinois, in Spring 1998; the Department of Political Science at the University of Illinois at Urbana-Champaign in Summer 1998; the European University Institute in Florence, Italy, in Spring 1997; the University of Antwerp, Belgium, in Spring 1996; and Leti University in St. Petersburg, Russia, in Fall 1995.
Crombez obtained a B.A. in Applied Economics, Finance, from KU Leuven in 1989, and a Ph.D. in Business, Political Economics, from Stanford University in 1994.
Isabela Mares | Parliaments in Times of Democratic Erosion
How do parliamentary norms break down?
How does the presence of extremist parties in parliaments modify parliamentary norms? In this talk, I draw on two recent papers to examine the responses of mainstream politicians to the disruptive strategies of extremist legislators. A first study will examine the dynamics of parliamentary erosion during the Weimar parliament. Using a novel dataset of all calls-to-order, I document the existence of a cycle of provocation-counter provocation that led to the erosion of parliamentary norms in the last years of the Weimar Republic.
A second paper (co-authored with Qixuan Yang) studies informal interactions in the contemporary German Bundestag during the period between 2017 and 2021. Using a novel dataset of over 25,000 parliamentary speeches, we document a significant erosion of parliamentary norms, as measured by an increase in the number of verbal and nonverbal interruptions. Both legislators from mainstream and extremist parties contribute to this erosion of parliamentary norms. We argue that legislators from mainstream parties use informal attacks on legislators from non-proximate extremist parties to appeal to voters on their extremes and signal a more extreme policy position. We show that the incentives of legislators from mainstream parties to engage in these informal attacks on extremist legislators can be explained by partisan and district-level conditions.
Isabela Mares is the Arnold Wolfers Professor of Political Science at Yale University. She specializes in the comparative politics of Europe. Professor Mares has written extensively on labor market and social policy reforms, the political economy of taxation, electoral clientelism, reforms limiting electoral corruption. Her current research examines the political responses to antiparliamentarism in both contemporary and historical settings.
Professor Mares is the author of five books. These include The Politics of Social Risk: Business and Welfare State Development (New York: Cambridge University Press 2003), Taxation, Wage Bargaining and Unemployment (New York: Cambridge University Press 2006), From Open Secrets to Secret Voting (New York: Cambridge University Press 2015), Conditionality and Coercion: Electoral clientelism in Eastern Europe (co-authored with Lauren Young, Oxford University Press 2018) and Protecting the Ballot: How First Wave Democracies Ended Electoral Corruption (Princeton: Princeton University Press 2022)."
*If you need any disability-related accommodation, please contact Shannon Johnson at sj1874@stanford.edu. Requests should be made by May 16, 2024.
Encina Hall 2nd floor EAST, Reuben Hills Conference Room