Richard Saller
Stanford University
450 Serra Mall, Building One
Stanford, CA 94305-2070
Richard Saller is the Kleinheinz Family Professor of European Studies at Stanford University. Previously he was Dean of the School of Humanities and Sciences here at Stanford University as well as Provost and Dean of the Social Sciences Division at the University of Chicago. He taught at Swarthmore College and held visiting professorships and fellowships at the University of California, Berkeley and Jesus College, Cambridge. His research focuses on Roman social and economic history, in particular, patronage relations, the family, and the imperial economy.
He uses literary, legal, and epigraphic materials, as well as computer simulations, to investigate issues of social hierarchy, gender distinctions, and economic production. His publications include The Cambridge Economic History of Greco-Roman World (2007); Patriarchy, Property, and Death in the Roman Family (1994); Personal Patronage under the Early Empire (1982); and The Roman Empire: Economy, Society and Culture (2nd, expanded ed. 2014), which has been translated into French, Italian, German, Greek, and Spanish. He was elected a Fellow of the American Academy of Arts and Sciences in 2005.
Capote and Atxaga versus the Counterterrorists: Why Counterterrorism Fails
Joseba Zulaika is Professor at the Center for Basque Studies at the University of Nevada, Reno. Professor Zulaika holds a Ph.D. in Anthropology from Princeton University. His most recent publications include Terrorism: the Self-Fulfilling Prophecy (Chicago: University of Chicago Press, 2009), and Contraterrorismo USA: profecía y trampa (Irun: Alberdania, 2009). Professor Zulaika’s ongoing research addresses the Bilbao Guggenheim Museoa and the ethnography of Bilbao with additional emphasis on global culture, architecture, museum politics, and tourism industries. His primary research interests include Basque culture and politics, the international discourse of terrorism, various traditional occupations (fishermen, hunters, farmers), diasporic and global cultures, history of anthropological thought, and theories of symbolism, ritual, and discourse.
Sponsored by the Iberian Studies Program at the Forum on Contemporary Europe, and the Department of Iberian and Latin American Cultures at Stanford University.
CISAC Conference Room
Hannah Arendt and the Humanities: On the Relevance of Her Work Beyond the Realm of Politics
In the wake of 9/11 and the so-called War on Terror there has been in recent years an immense interest in Hannah Arendt's thought in a variety of disciplines ranging from Political Science through History to Cultural Criticism. While Arendt's political analysis, especially her insights into the nature of totalitarian ideologies and regimes has received much attention, relatively little has been said on the possible impact of her unique philosophical vocabulary in such works as The Human Condition, Between Past and Future or The Life of the Mind or on our understanding of literature and the arts as they address contemporary society and politics. Giorgio Agamben, as only one example, makes references to Origins of Totalitarianism, but leaves out The Human Condition or Hannah Arendt's writing on literature or culture. A recent collection of Arendt's writings on literature and culture provides a first opportunity to reflect on the status of literature and the arts in Arendt's work, and on the usefulness of her concepts for an understanding of contemporary society and culture (Susannah Young-ah Gottlieb (ed.), Hannah Arendt, Reflections on Literature and Culture (Stanford UP, 2007). But it is precisely Arendt's conviction that literature and the arts contribute indispensably to our understanding of politics and history that calls for an examination of how Arendt's work opens new perspectives and adds a critical vocabulary to address literature and the arts.
The relative dearth of attention to Arendt's possible relevance and impact on our thinking about literature and the arts is especially peculiar given Arendt's reliance on literary texts throughout her writing. The aim of the Stanford Workshop is to consider if Hannah Arendt's work offers a productive vocabulary for thinking about literature, the arts and culture at the intersection of history, politics, and ethics.
Our question is: what may be the usefulness of such concepts, terms, and figures of speech as "natality," or Arendt's conception of the "world," or of the distinction between the "public," the "private," and the "social"? We would like to consider together: what happens when one puts Arendt's thought in contact with the study of culture in its widest sense (and not exclusively within the discipline of political theory)? What may be the implications of Arendt's reliance on literature and culture, at key moments in her analysis of political and social reality, to our understanding of their possible significance to contemporary society and politics? The workshop aims to examine the relevance of Arendt's work for the humanities in the broadest sense, and to examine Arendt's work in light of some recent advances in critical thinking in turn.
CISAC Conference Room
Amir Eshel
Dept of German Studies
Building 260, Room 204
Stanford University
Stanford, CA 94305-2030
Amir Eshel is Edward Clark Crossett Professor of Humanistic Studies. He is Professor of German Studies and Comparative Literature and as of 2019 Director of Comparative Literature and its graduate program. His Stanford affiliations include The Taube Center for Jewish Studies, Modern Thought & Literature, and The Europe Center at Stanford University’s Freeman Spogli Institute for International Studies. He is also the faculty director of Stanford’s research group on The Contemporary and of the Poetic Media Lab at Stanford’s Center for Spatial and Textual Analysis (CESTA). His research focuses on contemporary literature and the arts as they touch on philosophy, specifically on memory, history, political thought, and ethics.
Amir Eshel is the author of Poetic Thinking Today (Stanford University Press, 2019); German translation at Suhrkamp Verlag, 2020). Previous books include Futurity: Contemporary Literature and the Quest for the Past (The University of Chicago Press in 2013). The German version of the book, Zukünftigkeit: Die zeitgenössische Literatur und die Vergangenheit, appeared in 2012 with Suhrkamp Verlag. Together with Rachel Seelig, he co-edited The German-Hebrew Dialogue: Studies of Encounter and Exchange (2018). In 2014, he co-edited with Ulrich Baer a book of essays on Hannah Arendt, Hannah Arendt: zwischen den Disziplinen; and also co-edited a book of essays on Barbara Honigmann with Yfaat Weiss, Kurz hinter der Wahrheit und dicht neben der Lüge (2013).
Earlier scholarship includes the books Zeit der Zäsur: Jüdische Lyriker im Angesicht der Shoah (1999), and Das Ungesagte Schreiben: Israelische Prosa und das Problem der Palästinensischen Flucht und Vertreibung (2006). Amir Eshel has also published essays on Franz Kafka, Hannah Arendt, Paul Celan, Dani Karavan, Gerhard Richter, W.G. Sebald, Günter Grass, Alexander Kluge, Barbara Honigmann, Durs Grünbein, Dan Pagis, S. Yizhar, and Yoram Kaniyuk.
Amir Eshel’s poetry includes a 2018 book with the artist Gerhard Richter, Zeichnungen/רישומים, a work which brings together 25 drawings by Richter from the clycle 40 Tage and Eshel’s bi-lingual poetry in Hebrew and German. In 2020, Mossad Bialik brings his Hebrew poetry collection בין מדבר למדבר, Between Deserts.
Amir Eshel is a recipient of fellowships from the Alexander von Humboldt and the Friedrich Ebert foundations and received the Award for Distinguished Teaching from the School of Humanities and Sciences.
Robert Harrison
121 Pigott Hall
Stanford University
Stanford, CA 94305
Professor Harrison received his doctorate in Romance Studies from Cornell University in 1984, with a dissertation on Dante's Vita Nuova. In 1985 he accepted a visiting assistant professorship in the Department of French and Italian at Stanford. In 1986 he joined the faculty as an assistant professor. He was granted tenure in 1992 and was promoted to full professor in 1995. In 1997 Stanford offered him the Rosina Pierotti Chair. In 2002, he was named chair of the Department of French and Italian. In 2014 he was knighted "Chevalier" by the French Republic. He is a member of the American Academy of Arts & Sciences, and lead guitarist for the cerebral rock band Glass Wave.
Professor Harrison's first book, The Body of Beatrice, was published by Johns Hopkins University Press in 1988. It deals with medieval Italian lyric poetry, with special emphasis on Dante's early work La Vita Nuova. The Body of Beatrice was translated into Japanese in 1994. Over the next few years Professor Harrison worked on his next book, Forests: The Shadow of Civilization, which appeared in 1992 with University of Chicago Press. This book deals with the ways in which the Western imagination has symbolized, represented, and conceived of forests, primarily in literature, religion, and mythology. It offers a select history that begins in antiquity and ends in our own time. Forests appeared simultaneously in English, French, Italian, and German. It subsequently appeared in Japanese and Korean as well. In 1994 his book Rome, la Pluie: A Quoi Bon Littérature? appeared in France, Italy, and Germany. This book is written in the form of dialogues between two characters and deals with topics such as art restoration, the vocation of literature, and the place of the dead in contemporary society.
Professor Harrison's next book, The Dominion of the Dead, published in 2003 by University of Chicago Press, examines the relations the living maintain with the dead in diverse secular realms. This book was translated into German, French and Italian. Professor Harrison's book Gardens: An Essay on the Human Condition appeared in 2008 with the University of Chicago Press, in French with Le Pommier, and in Italian with Fazi Editori , and in German with Hanser Verlag (it subsequently appeared in Chinese translation). His most recent book Juvenescence: A Cultural History of Our Age came out in 2014 with Chicago University Press. In 2005 Harrison started a literary talk show on KZSU radio called "Entitled Opinions." The show features hour long conversations with a variety of scholars, writers, and scientists. Robert Harrison is also the Director of Another Look, a Stanford-based book club.
Telling Cases: Epistemological and Aesthetic Aspects of Case Narratives in 18th and 19th Century Science and Literature
Case studies have a long history in both medicine and law. They contributed to the development of the new sciences humaines in the 18th century as well as of Freud's psychoanalysis, and they are still used in current social sciences as well as popular media formats. As a genuinely interdisciplinary genre, case studies are also influenced by the narrative structure of literature. At they same time, they served as a reference for the new striving for realism and individuality in enlightenment aesthetics. Therefore, in late 18th and early 19th century literature, the logic of induction that structures case studies is transferred into fictional narratives that not only claim to provide knowledge on the biological genre of humans, but also contribute to a new definition of the concept of literary genre. Exemplary readings of Gotthold Ephraim Lessing, Carl Philipp Moritz, Georg Buechner, and E.A. Poe will suggest a reading of case studies as a narrative form bridging the divide between the 'two cultures' of literature and science.
Nico Pethes received a Ph.D. in German Literature from University Cologne in 1998, and was a postdoc at University Siegen, 1998-2001. He was a Visiting Scholar and Visiting Assistant Professor at the Department of Comparative Literature and German at Stanford from 2001-2003; Director of a Research Group on the "Cultural History of Human Experimentation" at University Bonn 2003-2005, Habilitation in 2005; Professor of European Literature and Media History at University Hagen 2005-2009; and, since 2009, professor of Modern German Literature at University Bochum. His publications include "Zuglinge der Natur. Der literarische Menschenversuch des 18. Jahrhunderts" (Goettingen: Wallstein 2007), "Das Beispiel. Epistemologie des Exemplarischen" (coeditor; Berlin: Kadmos 2007); "'Victor, l'enfant de la foret': Experiments on Heredity in Savage Children" (in: Heredity Produced: At the Crossroads of Biology, Politics, and Culture, 1500-1870, eds. Staffan Mueller-Wille/Hans-Jorg Rheinberger, Cambridge MA/London: The MIT Press 2007, pp. 399-418); "Terminal Men. Biotechnical Experimentation and the Reshaping of 'the Human' in Medical Thrillers" (in: /New Literary History/ 36, 2005, pp. 161-185)
Encina Ground Floor Conference Room
FCE Announces Book Release: "Ethnic Europe: Mobility, Identity, and Conflict in a Globalized World"
The Forum on Contemporary Europe is pleased to announce the release of "Ethnic Europe: Mobility, Identity, and Conflict in a Globalized World" (Stanford University Press, 2010) edited by FCE Associate Director Roland Hsu.
Ethnic Europe offers accessible, comprehensive, and influential thinking on immigration, and the challenge of how we are to defend minority identity and encourage social solidarity in our world of global migration. Focused on Europe as a destination for global immigration, eleven of the most influential social science and humanities authors address the increasingly complex challenges facing the expanding European Union—including labor migration, strains on welfare economies, local traditions, globalized cultures, Islamic diasporas, separatist movements, and threats of terrorism. The authors confront the struggle shared in Europe and the U.S. to balance minority rights and social cohesion. For the first time in one volume, these writers give startling insight into Europe’s fast-growing communities, taking the reader from global views to local detail. From questions of high politics (If Europe includes Turkey, where does Europe end?) to local culture wars (How does McDonalds appeal to Catalans?), this collection engages theory, history, and generalized views of diasporas, including the details of neighborhoods, borderlands, and the popular literature and new media and films spawned by the creative mixing of ethnic cultures.
Roland Hsu, Associate Director of Stanford University’s Forum on Contemporary Europe at the Freeman Spogli Institute for International Studies, edited, and wrote the opening essay to make “Ethnic Europe” a foundation text and approachable guide to the experience of ethnic politics, migrant life, and movements for integration and exclusion. With his experience at the Forum bringing scholarship, policy, and public comment to bear of our most pressing issues, Hsu offers this book on “Ethnic Europe” as an approachable guide to the general and specific of ethnic politics, migrant life, and movements for integration and exclusion.
Roland Hsu earned his Ph.D. at the University of Chicago, and before coming to Stanford was Assistant Professor of European History at the University of Idaho. Hsu currently teaches, in addition to his research and work at the Forum, in the Humanities at Stanford University.
Culture and Pain. Toward Pain Care for a Global Community: From Philosophy to Economic Considerations
This book, edited and written by leading scholars in the field(s) of neuroscience, ethics, law and healthcare policy, provides a unifying perspective of how a philosophical understanding of pain and medicine gives rise to the ethics and policies of pain care. Toward these ends, the chapters shed light on how pain and the experience of the patient and clinician establish the moral obligations of pain medicine, and the conditions necessary to enact pain care on a global scale. In this context, the authors consider possible ethical systems and approaches that are important to, and viable for pain medicine, and provide perspectives into the ways that moral obligations and practical realties are wedded to (and should underscore) any and all practice guidelines, health policy, and laws. In these ways, this volume provides erudite discussions of how contemporary knowledge of pain could and should influence the moral values, and conduct, tenor and value(s) of medical practice, and how this knowledge might serve as a foundation upon which to construct policies toward a more meaningful, patient-centered pain medicine in the future.
Stanford-Suhrkamp Lecture and Publication Series
Stanford University and German publishing house Suhrkamp Verlag are pleased to jointly sponsor the international lecture and publication series devoted to new work by Stanford faculty on contemporary and historical subjects. Hosted at Stanford by the Forum on Contemporary Europe at the Freeman Spogli Institute for International Studies, and in Berlin by Suhrkamp, this series responds to the need for insight and trans-Atlantic dialogue on today’s most pressing issues. Senior scholars whose work has earned influence on discussion and policy are selected to bring their voice to this