As a result of the events which started in Poland with the birth of the Solidarity Movement in 1980 and the events that followed in the next decade, the political map of Europe has changed drastically. New spirit and new countries have emerged, changing the continent as radically as it was changed by the two World Wars. This time, however, change was achieved without (or nearly without) bloodshed . The process of unification of the continent which continued with the admission of Poland (and five other countries) first to NATO and then to European Union, changed those two institutions which are still re-defining themselves. This lecture will present and evaluate this new shape of Europe and of European institutions in light of these changes.

About the Speaker
Dr. Kozlowski earned an M.A. from the Department of Philosophy and History from Jagiellonian University in Krakow, after which he studied Political Science at the Sorbonne and English language at the London School of English. He earned his Ph. D. in History from Jagiellonian University in 1988. Dr. Kozlowski studied at Northwestern University (1986-87) and at Stanford University (1987-88) on a Fulbright Research Grant.

Dr. Kozlowski worked as a journalist and editor for a number of Polish publications including "Wiesci," "Wiadomosci Krakowskie," and "Tygodnik Powszechny", before joining the Polish Ministry of Foreign Affairs. Since 1990, Dr. Kozlowski has served as Minister-Counselor and Charge d'Affairs at the Polish Embassy in Washington D.C., as Director of the American Department and Undersecretary of State for the Ministry of Foreign Affairs, as Ambassador of Poland to Israel, and as Ambassador for Polish-Jewish Relations. He is currently the Deputy Director of the Department of Africa and Middle East, Polish Ministry of Foreign Affairs.

In recent decades the Middle East's strategic architecture has changed significantly with the rise in the regional influence of the non-Arab states of the Middle East: Iran, Turkey and Israel and the considerably reduced influence of the key Arab states, that used to be the prime movers in the Arab world: Egypt, Syria, Iraq and Saudi Arabia. Secular nationalism is in apparent retreat as free elections in Turkey and the Palestinian Authority seem to indicate. What does this all mean for the Arab-Israeli peace process, and especially for the arrival at a two-state solution for Israel and the Palestinians? What does this mean for the chances of success of greater US and European involvement?

Synopsis

To Prof. Susser, the Middle East is dealing with a variety of key issues. He explains that the fallout of Iraq has led to widespread anxiety that the Middle East could shatter into a chaos of sectarian violence, beginning with a breakdown in Iraq. In addition, Prof. Susser notes the social economic decline in the Middle East which has caused emigration and, most importantly, a changing power dynamic in the region. Citing Egypt, Syria, Iraq, and Saudi Arabia as previous regional superpowers, he believes that the current major players are Iran, Turkey, and Israel, all of which are non-Arab. Prof. Susser argues this power shift was accelerated by the fall of the USSR, as well as the presence of the US. He focuses particularly on the role of Iran, a country he feels is trying to establish a “crescent of influence.” Prof. Susser believes the Israel-Hezbollah war was the start of a new era of conflicts between Israel and Iran as they battle over the regional architecture that will shape the future of the Middle East. He argues that Lebanon is therefore a key battleground in the conflict.

Prof. Susser feels this conflict is a struggle against Iran and Shiite influence. One can notice the shift in dynamic in the region through the fact that other Arab states are now on the same side as Israel, whereas before no Arab state would side with the Israelis. Prof. Susser believes this is partly because there is a shifting power balance from Sunnis to Shiites in the Middle East, a radical change that goes against the traditional order of the region.

Prof. Susser moves on to focus to another potential radical change, a two state solution between Israel and Palestine as set out by the Annapolis conference in November 2007. He argues that it is most unlikely that the US will actually get the two sides to sign a final agreement resolving the conflict in the near future. At the same time, Prof. Susser reveals his belief that it is imperative that negotiations do not shoot to high. This “courts failure” and leads to disaster. In fact, Prof. Susser argues for “courting success.” He explains that this must be achieved through realistic goals such as a secure ceasefire, and that the Palestinians may be less reluctant in agreeing to interim solutions. Finally, Prof. Susser emphasizes that if an interim approach is unsuccessful and a permanent solution is not agreed upon, then Israel must not ignore the unattractive but perhaps necessary option of unilateral withdrawal from Gaza. Prof. Susser argues that although this may seem like a failure, the status quo works better for Arabs such as Hamas who seek to delegitimize Israel.

About the speaker

Professor Asher Susser, Director for External Affairs of the Moshe Dayan Center for Middle Eastern Studies at TAU. Professor Susser holds a PhD in Modern Middle Eastern History at Tel Aviv University and he taught for over twenty-five years in the University's Department of Middle Eastern History and is presently a visiting Professor at Brandeis University. He has been a Fulbright Fellow, a visiting professor at Cornell University, the University of Chicago and Brandeis University and a visiting fellow at the Washington Institute for Near East Policy. In 2006 Professor Susser was selected as TAU's Faculty of Humanities Outstanding Lecturer. In 1994 Professor Susser was the only Israeli academic to accompany Prime Minister Yitzhak Rabin to his historic meeting with King Hussein of Jordan for the signing of the Washington Declaration.

Presented by the Forum on Contemporary Europe.

This seminar will focus on the Holocaust as the most important factor in shaping the relationship between all Germans and all Jews, as well as on some of the differences in Germany's relationship with Israel on the one hand and with American Jews on the other hand. Consul General Schütte will also address the situation of Jews in Germany today, based on personal observations and research during his posting at the German Embassy in Tel Aviv, as Deputy Head of Division for Middle East Affairs in the German Foreign Office, during a speaking tour in the U.S., and as a visiting scholar at the American Jewish Committee in New York.

About the Speaker
Mr. Rolf Schütte was born on June 9, 1953 in Goslar, Germany. He studied German and Russian Philology and Political Science at Göttingen University, Germany, at Ohio University, and at the Bologna Center of Johns Hopkins University in Italy. He joined the German Foreign Service in 1981 and served in different functions in the Foreign Office in Bonn and later Berlin (e.g. as Deputy Head of Division for Middle East Affairs and Head of Division for Russia, Ukraine, Belarus and Moldova) as well as in the German Embassies in Moscow, Tel Aviv and Rome and in the German Mission to the United Nations in New York. Before becoming Consul General in San Francisco he spent a sabbatical year as a Visiting Fellow at the Carnegie Endowment for International Peace in Washington, the American Jewish Committee in New York and the Institute of European Studies in Berkeley.

This event is jointly sponsored by the Forum on Contemporary Europe and the Taube Center for Jewish Studies.

UNAFF, which is now completing its first decade, was originally conceived to celebrate the 50th anniversary of the signing of the Universal Declaration of Human Rights. It was created with the help of members of the Stanford Film Society and United Nations Association Midpeninsula Chapter, a grassroots, community-based, nonprofit organization. The 10th UNAFF will be held from October 24-28, 2007 at Stanford University with screenings in San Francisco on October 17 and 18, East Palo Alto on October 19 and San Jose on October 21. The theme for this year is "CAMERA AS WITNESS."

UNAFF celebrates the power of films dealing with human rights, environmental survival, women's issues, protection of refugees, homelessness, racism, disease control, universal education, war and peace. Documentaries often elicit a very personal, emotional response that encourages dialogue and action by humanizing global and local problems. To further this goal, UNAFF hosts academics and filmmakers from around the world to discuss the topics in the films with the audience, groups and individuals who are often separated by geography, ethnicity and economic constraints.

Over three hundred sixty submissions from all over the world have been carefully reviewed for the tenth annual UNAFF. The jury has selected 32 films to be presented at this year's festival. The documentaries selected showcase topics from Afghanistan, Bolivia, Canada, Chile, China, Croatia, Cuba, France, Haiti, Kenya, Kosovo, Iceland, India, Iran, Iraq, Ireland, Iran, Israel, Italy, Lesotho, Macedonia, Mongolia, Nigeria, Norway, Palestine, Peru, Romania, Russia, Saudi Arabia, Serbia, Spain, Sudan, Uganda, the UK, Ukraine, the US, Vietnam and Zambia.

Orhan Pamuk was born in Istanbul in 1952 and grew up in a large family similar to those which he describes in his novels Cevdet Bey and His Sons and The Black Book, in the district of Nisantasi. As he writes in his autobiographical book Istanbul, from his childhood until the age of 22 he devoted himself largely to painting and dreamed of becoming an artist. After graduating from the American Robert College in Istanbul, he studied architecture at Istanbul Technical University for three years, but abandoned the course when he gave up his ambition to become an architect and artist. He went on to graduate in journalism from Istanbul University, but never worked as a journalist. At the age of 23 Pamuk decided to become a novelist, and giving up everything else retreated into his flat and began to write.

His first novel Cevdet Bey and His Sons was published seven years later in 1982. The novel is the story of three generations of a wealthy Istanbul family living in Nisantasi, Pamuk's own home district. The novel was awarded both the Orhan Kemal and Milliyet literary prizes. The following year Pamuk published his novel The Silent House, which in French translation won the 1991 Prix de la découverte européene. The White Castle (1985) about the frictions and friendship between a Venetian slave and an Ottoman scholar was published in English and many other languages from 1990 onwards, bringing Pamuk his first international fame. The same year Pamuk went to America, where he was a visiting scholar at Columbia University in New York from 1985 to 1988. It was there that he wrote most of his novel The Black Book, in which the streets, past, chemistry and texture of Istanbul are described through the story of a lawyer seeking his missing wife. This novel was published in Turkey in 1990, and in French translation won the Prix France Culture. The Black Book enlarged Pamuk's fame both in Turkey and internationally as an author at once popular and experimental, and able to write about past and present with the same intensity. In 1991 Pamuk's daughter Rüya was born. That year saw the production of a film Hidden Face, whose script by Pamuk was based on a one-page story in The Black Book.

His novel The New Life, about young university students influenced by a mysterious book, was published in Turkey in 1994 and became one of the most widely read books in Turkish literature. My Name Is Red, about Ottoman and Persian artists and their ways of seeing and portraying the non-western world, told through a love story and family story, was published in 1998. This novel won the French Prix Du Meilleur Livre Etranger, the Italian Grinzane Cavour (2002) and the International IMPAC Dublin literary award (2003). Snow, which he describes as 'my first and last political novel,' was published in 2002. In this book set in the small city of Kars in northeastern Turkey he experimented with a new type of 'political novel,' telling the story of violence and tension between political Islamists, soldiers, secularists, and Kurdish and Turkish nationalists. In 1999 a selection of his articles on literature and culture written for newspapers and magazines in Turkey and abroad, together with a selection of writings from his private notebooks, was published under the title Other Colours.

Pamuk's most recent book, Istanbul, is a poetical work, combining the author's early memoirs up to the age of 22, and an essay about the city of Istanbul, illustrated with photographs from his own album, and pictures by western painters and Turkish photographers.

Pamuk was awarded the Nobel Prize in Literature in 2006. The press release read "who in the quest for the melancholic soul of his native city has discovered new symbols for the class and interlacing of cultures."

http://www.orhanpamuk.net/

Sponsored by the Mediterranean Studies Forum, the Freeman Spogli Institute for International Studies' S.T. Lee Lecture, the Division of International Comparative & Area Studies, the Abbasi Program in Islamic Studies, and the Forum on Contemporary Europe.

A film in the San Francisco International Film Festival. Presented in association with the Arab Film Festival. SKYY Prize Contender. West Coast Premiere. Sponsored by the Forum on Contemporary Europe, Mediterranean Studies Program, and Abassi Program in Islamic Studies at Stanford University.

About the Film

Kamel dreams of returning to Italy, where he once baked pizzas, this time leaving Algeria for good and bringing his girlfriend Zina with him. For this they will need papers, so the couple embarks on a journey from the urban center to deserted suburbs in search of the immigrant smuggler who can help them. The couple has grown up among the violence that has plagued Algeria for more than a decade and taken more than 100,000 lives. Ongoing strife between government forces and Islamist opposition is so much a part of day-to-day living that Kamel and Zina ignore the danger they face on the road and turn their quest into a kind of holiday. Director Tariq Teguia calls his debut feature "a slow-motion road movie," but it is a road movie only in abstract. Much of the travel takes place on streets without names or numbers and through a maze of buildings - a symbolic dead end. Short asides into the lives of Islamic fundamentalists and other would-be emigrants limn Algeria's dire situation and underline the desperation behind Kamel's desire to leave. Yet even as the pair's languid odyssey grows ever more quixotic, the drama never quite slips into tragedy, buoyed on by the lovers' uncomplaining acceptance of whatever fate throws them and an embrace of life that contains happiness and the possibility of a brighter future. In similar fashion, Teguia has fashioned a portrait of Algeria stunned and stunted by war that is more hopeful than bleak. - Pam Grady

Showtimes

Friday, April 27 / 9:15 / Kabuki / ROME27K

Saturday, May 5 / 2:00 / Kabuki / ROME 05K

Sunday, May 6 / 8:45 / Kabuki / ROME 06K

Tuesday, May 8 / 6:30 / Aquarius / ROME 08A

For more information, go to: http://fest07.sffs.org/films/film_details.php?id=94