UNAFF, which is now completing its first decade, was originally conceived to celebrate the 50th anniversary of the signing of the Universal Declaration of Human Rights. It was created with the help of members of the Stanford Film Society and United Nations Association Midpeninsula Chapter, a grassroots, community-based, nonprofit organization. The 10th UNAFF will be held from October 24-28, 2007 at Stanford University with screenings in San Francisco on October 17 and 18, East Palo Alto on October 19 and San Jose on October 21. The theme for this year is "CAMERA AS WITNESS."

UNAFF celebrates the power of films dealing with human rights, environmental survival, women's issues, protection of refugees, homelessness, racism, disease control, universal education, war and peace. Documentaries often elicit a very personal, emotional response that encourages dialogue and action by humanizing global and local problems. To further this goal, UNAFF hosts academics and filmmakers from around the world to discuss the topics in the films with the audience, groups and individuals who are often separated by geography, ethnicity and economic constraints.

Over three hundred sixty submissions from all over the world have been carefully reviewed for the tenth annual UNAFF. The jury has selected 32 films to be presented at this year's festival. The documentaries selected showcase topics from Afghanistan, Bolivia, Canada, Chile, China, Croatia, Cuba, France, Haiti, Kenya, Kosovo, Iceland, India, Iran, Iraq, Ireland, Iran, Israel, Italy, Lesotho, Macedonia, Mongolia, Nigeria, Norway, Palestine, Peru, Romania, Russia, Saudi Arabia, Serbia, Spain, Sudan, Uganda, the UK, Ukraine, the US, Vietnam and Zambia.

Orhan Pamuk was born in Istanbul in 1952 and grew up in a large family similar to those which he describes in his novels Cevdet Bey and His Sons and The Black Book, in the district of Nisantasi. As he writes in his autobiographical book Istanbul, from his childhood until the age of 22 he devoted himself largely to painting and dreamed of becoming an artist. After graduating from the American Robert College in Istanbul, he studied architecture at Istanbul Technical University for three years, but abandoned the course when he gave up his ambition to become an architect and artist. He went on to graduate in journalism from Istanbul University, but never worked as a journalist. At the age of 23 Pamuk decided to become a novelist, and giving up everything else retreated into his flat and began to write.

His first novel Cevdet Bey and His Sons was published seven years later in 1982. The novel is the story of three generations of a wealthy Istanbul family living in Nisantasi, Pamuk's own home district. The novel was awarded both the Orhan Kemal and Milliyet literary prizes. The following year Pamuk published his novel The Silent House, which in French translation won the 1991 Prix de la découverte européene. The White Castle (1985) about the frictions and friendship between a Venetian slave and an Ottoman scholar was published in English and many other languages from 1990 onwards, bringing Pamuk his first international fame. The same year Pamuk went to America, where he was a visiting scholar at Columbia University in New York from 1985 to 1988. It was there that he wrote most of his novel The Black Book, in which the streets, past, chemistry and texture of Istanbul are described through the story of a lawyer seeking his missing wife. This novel was published in Turkey in 1990, and in French translation won the Prix France Culture. The Black Book enlarged Pamuk's fame both in Turkey and internationally as an author at once popular and experimental, and able to write about past and present with the same intensity. In 1991 Pamuk's daughter Rüya was born. That year saw the production of a film Hidden Face, whose script by Pamuk was based on a one-page story in The Black Book.

His novel The New Life, about young university students influenced by a mysterious book, was published in Turkey in 1994 and became one of the most widely read books in Turkish literature. My Name Is Red, about Ottoman and Persian artists and their ways of seeing and portraying the non-western world, told through a love story and family story, was published in 1998. This novel won the French Prix Du Meilleur Livre Etranger, the Italian Grinzane Cavour (2002) and the International IMPAC Dublin literary award (2003). Snow, which he describes as 'my first and last political novel,' was published in 2002. In this book set in the small city of Kars in northeastern Turkey he experimented with a new type of 'political novel,' telling the story of violence and tension between political Islamists, soldiers, secularists, and Kurdish and Turkish nationalists. In 1999 a selection of his articles on literature and culture written for newspapers and magazines in Turkey and abroad, together with a selection of writings from his private notebooks, was published under the title Other Colours.

Pamuk's most recent book, Istanbul, is a poetical work, combining the author's early memoirs up to the age of 22, and an essay about the city of Istanbul, illustrated with photographs from his own album, and pictures by western painters and Turkish photographers.

Pamuk was awarded the Nobel Prize in Literature in 2006. The press release read "who in the quest for the melancholic soul of his native city has discovered new symbols for the class and interlacing of cultures."

http://www.orhanpamuk.net/

Sponsored by the Mediterranean Studies Forum, the Freeman Spogli Institute for International Studies' S.T. Lee Lecture, the Division of International Comparative & Area Studies, the Abbasi Program in Islamic Studies, and the Forum on Contemporary Europe.

A film in the San Francisco International Film Festival. Presented in association with the Arab Film Festival. SKYY Prize Contender. West Coast Premiere. Sponsored by the Forum on Contemporary Europe, Mediterranean Studies Program, and Abassi Program in Islamic Studies at Stanford University.

About the Film

Kamel dreams of returning to Italy, where he once baked pizzas, this time leaving Algeria for good and bringing his girlfriend Zina with him. For this they will need papers, so the couple embarks on a journey from the urban center to deserted suburbs in search of the immigrant smuggler who can help them. The couple has grown up among the violence that has plagued Algeria for more than a decade and taken more than 100,000 lives. Ongoing strife between government forces and Islamist opposition is so much a part of day-to-day living that Kamel and Zina ignore the danger they face on the road and turn their quest into a kind of holiday. Director Tariq Teguia calls his debut feature "a slow-motion road movie," but it is a road movie only in abstract. Much of the travel takes place on streets without names or numbers and through a maze of buildings - a symbolic dead end. Short asides into the lives of Islamic fundamentalists and other would-be emigrants limn Algeria's dire situation and underline the desperation behind Kamel's desire to leave. Yet even as the pair's languid odyssey grows ever more quixotic, the drama never quite slips into tragedy, buoyed on by the lovers' uncomplaining acceptance of whatever fate throws them and an embrace of life that contains happiness and the possibility of a brighter future. In similar fashion, Teguia has fashioned a portrait of Algeria stunned and stunted by war that is more hopeful than bleak. - Pam Grady

Showtimes

Friday, April 27 / 9:15 / Kabuki / ROME27K

Saturday, May 5 / 2:00 / Kabuki / ROME 05K

Sunday, May 6 / 8:45 / Kabuki / ROME 06K

Tuesday, May 8 / 6:30 / Aquarius / ROME 08A

For more information, go to: http://fest07.sffs.org/films/film_details.php?id=94

Dominique Struye de Swielande became ambassador of Belgium to the United States on December 29, 2006. Ambassador Struye previously served as Belgium's permanent representative to NATO (2002-06), ambassador to Germany (1997-2002), head of cabinet for the state secretary for international cooperation (1995-96), and director-general for administration at the Ministry of Foreign Affairs (1994-95). In addition, Ambassador Struye was diplomatic counselor and deputy head of cabinet for the prime minister (1992-94), head of cabinet for the minister of foreign affairs (1991-92), director of the European Section at the Ministry of Foreign Affairs (1990), deputy permanent representative and consul general to the United Nations in Geneva (1987-90), as well as counselor in the cabinet of the foreign affairs minister (1984-87). He has also served postings in Zaire, Zimbabwe, Nigeria and Austria.

Ambassador Struye, who joined the Ministry of Foreign Affairs in 1974, holds a doctorate in law from the Catholic University of Leuven, a master's of law from the University College London, and a master's of European Law from the University of Ghent.

Event Synopsis:

Ambassador Struye describes the difficulty in defining common security interests between Europe, where ideas of security tend to revolve around individual welfare provided by the state, and the United States, where international terrorism is viewed as the predominant security threat especially after 9/11.

Ambassador Struye then describes three major multilateral institutions and their role in global security: the UN, NATO, and EU. He outlines how the UN has expanded in recent years, both in terms of membership and of issue areas. Belgium has been actively involved in security discussions within the UN, and has shared the disappointment of the US about the limited capacity of the UN to contribute to peace and security in the world. He then addresses NATO's recent evolution in the direction of "out of area" policy, influenced by American pressure for NATO to become a security provider outside of Europe, including as an "instrument of democratization." Finally, Ambassador Struye describes the development of political mechanisms of the European Union which are now moving toward building common foreign and security policy, which the ambassador sees as important even without a European military force.

The ambassador details several challenges, including the difficulty  of evaluating common threats, determining how global a regional organization should be in its policy and how each organization should relate to the others, and a lack of a coherent global vision for how the world should evolve. Two policy areas where Ambassador Struye sees consensus are Afghanistan and missile defense. He concludes that although security policy is hard to define across regions, multilateral organizations are essential and the transatlantic alliance remains indispensable.

A discussion session following the talk included such issues as whether Turkey should be a member of the EU given its UN and NATO membership, how the ambassador views prospects for relations between North Africa and the multilateral institutions he describes, whether sufficient development funding should be available before military interventions in places like Afghanistan and Iraq, and whether the EU might come to serve as a world power in its own right.

U.S.-European relations hit a dramatic and highly visible low point in the weeks leading up to the U.S. invasion of Iraq in March 2003. With the exception of the British government, which was, of course, supportive of the enterprise, many long-time U.S. allies – including, most prominently, France and Germany – were openly hostile to the American action. Relations have recovered, to a degree at least on an official level, but disagreements persist and resentments fester on both sides of the Atlantic four years after the onset of the war.

Is the damage that has been inflicted on the relationship irreparable in some sense? Or, as on so many other occasions since the establishment of the trans-Atlantic partnership at the mid-point of the last century, is the current unpleasantness likely to prove transitory? While the arrows point in both directions, the evidence continues to mount that the tensions so much in evidence between the two sides over the course of the last half-decade or so transcend disputes over particular issues. If this is true – which I believe it is – then our differences over Iraq are a reflection of something much deeper that is underway within the relationship, and not, in and of themselves, the cause – or even a cause – of the problem.

The real issue, it seems to me, is not whether relations between the United States and Europe can be repaired. Within limits, they can and will be. The more interesting – and important – question is whether the very nature of the relationship has changed (and is continuing to change) and if so, how, why, and with what implications for the future?