History
-

This event is full. Please email sj1874@stanford.edu to be placed on the Wait List.

To what extent do European citizens have a populist view of politics? Under what conditions are these populist attitudes more prevalent? What are their political consequences in terms of individual behavior? This talk will present an overview of the causes and consequences of populist attitudes in Europe using comparative and longitudinal survey data. The effect of economic conditions (both objective and perceived), emotional reactions of anger and fear, and internal political efficacy are explored. From our evidence populism is more related to sociotropic perceptions than to objective economic hardship, and to anger than to fear. Populist attitudes seem to be also powerful mobilisatory motivations for political engagement, particularly for people with low levels of income and education.

Eva Perea image


Eva Anduiza is professor of political science at the Universitat Autònoma de Barcelona where she is also ICREA Academia research fellow. She directs the research group on Democracy, Elections and Citizenship, and until recently she directed the Master in Political Science. She is currently 2018-19 Fellow at the Center for Advanced Study in the Behavioural Sciences at Stanford University.

Anduiza' s main areas of research deal with different aspects of citizens’ involvement in politics in advanced democracies. This includes an interest in the causes and consequences of electoral turnout, political protest, digital media and political attitudes. She is also interested in attitudes towards corruption and in survey and experimental methodology. Recently her research has focused on the attitudinal consequences of the economic crisis, with a special focus on populist attitudes. Her next project explores how individuals’ attitudes towards gender equality and feminism change over time.

Sponsored by the Global Populisms Project at The Europe Center

Sign up for The Europe Center's mailing list to hear about our upcoming events.

 

Eva Anduiza Speaker Universitat Autònoma de Barcelona
Lectures
0
Associate Professor of Political Science
mcqueen_cropped.lc_.1500px.jpg

Alison McQueen is an Associate Professor in the Department of Political Science at Stanford University.  Her research focuses on early modern political theory and the history of International Relations thought.  Alison's book, Political Realism in Apocalyptic Times (Cambridge University Press, 2018), traces the responses of three canonical political realists—Niccolò Machiavelli, Thomas Hobbes, and Hans Morgenthau—to hopes and fears about the end of the world. A second book project, Absolving God: Hobbes’s Scriptural Politics, tracks and explains changes in Thomas Hobbes’s strategies of Scriptural argument over time.  Alison is starting a third book project on treason in the history of political thought. Her other ongoing research projects explore applications of computational text analysis methods in political theory, and the ethics and politics of catastrophe.

Faculty affiliate of The Europe Center
Faculty Fellow of Center for Ethics in Society
CV
0
Lecturer of French and Francophone Studies
ulloampcvphoto2018-91.jpg

Marie-Pierre Ulloa is a lecturer in the Comparative Literature, and in the French and Italian Department, teaching French and Francophone cultural and intellectual history, with a focus on France and North Africa. She is a faculty affiliate of the Taube Center for Jewish Studies, the Mediterranean Studies Forum, The Europe Center, and the Ehess in Paris (Ecole des Hautes Etudes en Sciences Sociales).

Marie-Pierre is the author of two books: Francis Jeanson, a Dissident Intellectual from the French Resistance to the Algerian War (Stanford University Press, 2008, also published in French and Arabic), and Le Nouveau Rêve Américain : Du Maghreb à la Californie (The New American Dream: From North Africa to California, CNRS editions, 2019).

She is the co-founder of the Stanford Global Studies Summer Festival (2008) and the founder of the undergraduate short story contest (2014) sponsored by the Taube Center for Jewish Studies. 

Marie-Pierre received the honorific distinction of Chevalier de l'Ordre des Arts et des Lettres of the French Republic in 2013.

Marie-Pierre holds a degree in History from La Sorbonne, a MA in History and Political Science and an Advanced Post-Graduate Diploma in History (summa cum laude) from Sciences Po Paris, where she wrote her dissertation on intellectual dissidence from World War II to post-Algerian War through the case study of philosopher Francis Jeanson, publisher of Frantz Fanon's Black Skin, White Masks. She wrote her thesis on North African migration and migrant stories from North Africa to California: "From North Africa to California: migrant trajectories, integration narratives" at the EHESS (Ecole des Hautes Etudes en Sciences Sociales, School for Advanced Studies in the Social Sciences, Ph.D, summa cum laude).
 
She is a regular contributor to La Vie des Idées / Books and Ideas. 

Affiliated lecturer of The Europe Center
CV
0
Professor of Religious Studies
Professor, by courtesy, of German Studies
Professor, by courtesy, of Philosophy
thomas.sheehan.jpg

Thomas Sheehan specializes in contemporary European philosophy and its relation to religious questions, with particular interests in Heidegger and Roman Catholicism. His books include: Making Sense of Heidegger: A Paradigm Shift (2015), Martin Heidegger, Logic: The Question of Truth (trans., 2010); Becoming Heidegger (2007);Edmund Husserl: Psychological and Transcendental Phenomenology and the Encounter with Heidegger (1997); Karl Rahner: The Philosophical Foundations(1987); The First Coming: How the Kingdom of God Became Christianity (1986); and Heidegger, the Man and the Thinker (1981).

(650) 723-9559
0
Associate Professor of History
rowan_dorin.180602-7509_-_crop.jpg

Rowan Dorin is a historian of western Europe and the Mediterranean, primarily during the high and late Middle Ages. Much of his research tries to understand how law and society interact with each other, especially where legal norms conflict with social practices. Another strand of his research explores the history of economic life and economic thought, especially medieval debates over usury and moneylending. He has also written on the circulation of goods, people, and ideas in the medieval Mediterranean.

Rowan's recent book, No Return: Jews, Christian Usurers, and the Spread of Mass Expulsion in Medieval Europe (Princeton University Press, 2023), was awarded the 2023 Salo Baron Prize from the American Academy for Jewish Research; the 2024 Wallace K. Ferguson Prize from the Canadian Historical Association; the 2023 Margaret Wade Labarge Prize from the Canadian Society of Medievalists; and the 2024 American Historical Association Pacific Coast Branch Book Award.

His current book project examines the ways in which medieval canon law was adapted, reinterpreted, or resisted in local contexts in the thirteenth and fourteenth centuries.

Born and raised in western Canada, Rowan did his undergraduate and doctoral work at Harvard University, earning an MPhil in Medieval History from the University of Cambridge along the way. Before coming to Stanford, he was a Junior Fellow at the Harvard Society of Fellows.

 

Affiliated faculty of The Europe Center
Date Label
0
Lecturer of German Studies
anderson_profile_picture.jpg

Colleen Anderson studies the culture, history, and technology of Cold War Germany. She received her PhD from Harvard University in 2017 and has received funding from the American Historical Association & NASA, the Berlin Program for Advanced German and European Studies, DAAD, the American Institute for Contemporary German Studies, and the Central European History Society. Her current project, “‘Two Kinds of Infinity’: East Germany, West Germany, and the Cold War Cosmos, 1945-1995,” studies Germans’ participation in and imaginations about outer space exploration during the Cold War. Her manuscript traces the changing ways in which East and West Germans both saw their own futures as connected to space travel and used outer space to confront the past and envision the world around them.

 

Affiliated lecturer of The Europe Center
Mellon Postdoctoral Fellow
Paragraphs

In recent decades, the vast and culturally diverse Indian Ocean region has increasingly attracted the attention of anthropologists, historians, political scientists, sociologists, and other researchers. Largely missing from this growing body of scholarship, however, are significant contributions by archaeologists and consciously interdisciplinary approaches to studying the region’s past and present.

Connecting Continents addresses two important issues: how best to promote collaborative research on the Indian Ocean world, and how to shape the research agenda for a region that has only recently begun to attract serious interest from historical archaeologists. The archaeologists, historians, and other scholars who have contributed to this volume tackle important topics such as the nature and dynamics of migration, colonization, and cultural syncretism that are central to understanding the human experience in the Indian Ocean basin.

This groundbreaking work also deepens our understanding of topics of increasing scholarly and popular interest, such as the ways in which people construct and understand their heritage and can make use of exciting new technologies like DNA and environmental analysis. Because it adopts such an explicitly comparative approach to the Indian Ocean, Connecting Continents provides a compelling model for multidisciplinary approaches to studying other parts of the globe.

Contributors: Richard B. Allen, Edward A. Alpers, Atholl Anderson, Nicole Boivin, Diego Calaon, Aaron Camens, Saša Čaval, Geoffrey Clark, Alison Crowther, Corinne Forest, Simon Haberle, Diana Heise, Mark Horton, Paul Lane, Martin Mhando, and Alistair Patterson.

All Publications button
1
Publication Date
Journal Publisher
Ohio University Press
Authors
Krish Seetah
Paragraphs

Bernard Malamud, Saul Bellow, Philip Roth, and their critics embraced the notion that their work displayed an affinity to Russian and Yiddish literature, especially to the work of Fyodor Dostoevsky, Nikolai Gogol, and Sholem Aleichem. Like these writers, the prominent American Jewish writers of the 1960s were understood as producing writing that emerged from their authentic, often negative emotions, work that voiced complaints. I first describe this generation's playful claiming of a Russian and Jewish genealogy, their definition of the Russian and Yiddish writers as a collective worthy of copying. I then use close readings of six passages to evaluate the American writers' assertions about their influence by the Russian and Yiddish ones. I compare the inset oral and written complaints in Roth and Bellow with those in Gogol, Dostoevsky, and Sholem Aleichem, both acknowledging their striking formal similarities and distinguishing the comic, satirically presented literary complaints of prerevolutionary Russia from the potentially more therapeutically oriented—albeit still satirical—literary complaints of postwar America. Finally, I look outside the literary texts to understand why it was appealing to 1960s American writers to think of themselves as influenced by prerevolutionary Russian and Yiddish verbal art. This article situates the American Jewish writers and their critics in an aural environment where Russian and Yiddish sounds were increasingly available in entertainment and where they were associated with authenticity and political opposition. In spite of the formal parallels among the American Jewish, Russian, and Yiddish literary complaints, and in spite of Roth and Bellow representing themselves compellingly as imitators, I argue that they need to be understood instead in their own national and temporal communicative context.

All Publications button
1
Publication Type
Journal Articles
Publication Date
Journal Publisher
Prooftexts
Authors
Gabriella Safran
Number
3
Paragraphs

In Orhan Pamuk’s brilliant novel about seeing and beauty, My Name Is Red, miniaturists at the Sultan’s court exemplify historical tensions in 16th-century Ottoman artistic culture. They deplore the “Frankish” style of painting as a “temptation of Satan”: portraiture was “a sin of desire, like growing arrogant before God, like considering oneself of utmost importance, like situating oneself at the center of the world”; true perspective “removes the painting from God’s perspective and lowers it to the level of a street dog.” In their view, “painting is the act of seeking out Allah’s memories and seeing the world as He sees the world.” Murders ensue among miniaturists corrupted by the Western desire to develop their own “style.”

All Publications button
1
Publication Type
Journal Articles
Publication Date
Journal Publisher
Kritika: Explorations in Russian and Eurasian History
Authors
Nancy Kollmann
Number
1
Subscribe to History