Culture

Although sheep are only one of the important domesticates exploited in many parts of the world, it has played a near-paradigmatic role throughout the emergence and spread of European civilization. Domestic sheep and goat unambiguously originate from Southwest Asia where their wild ancestors live. Therefore sheep distributions across Europe represent an element of evident diffusion in the otherwise complex neolithization process. The numerical increase in sheep remains can be spectacular at Early Neolithic sites in Central Europe, even in habitats less than favorable for sheep. In various instances mutton outcompeted locally available pork in the diet as shown by animal remains from archaeological sites across Eurasia. Reasons for this trend seem to be diverse, ranging from greater pastoral mobility through secondary products (wool and dairy) to side effects of religious regulations such as the Iron Age taboo imposed on pork first documented in Judaism. Concomitant strict regulations concerning the “proper” way of slaughtering livestock link the increased dietary importance of sheep to the emergence of metallurgy, i.e. availability of quality blades.

Image
Image of László Bartosiewicz


László Bartosiewicz has worked as an archaeozoologist since 1979. He has studied animal-human relationships during various time periods in several countries of Europe and some in the Near East as well as South America. His research often has a cultural anthropological focus viewing animals as material culture. Recently he has specialized in animal palaeopathology. He published three books and over 350 academic papers. Following teaching positions at the Universities of Budapest (Hungary) and Edinburgh (UK), he currently heads the Osteoarchaeological Research Laboratory at Stockholm University (Sweden). He was twice elected president of the International Council for Archaeozoology (2006–2014).

 

 

This event is part of the Origins of Europe Series and is sponsored by the Stanford Archaeology Center and co-sponsored by The Europe Center.

Archaeology Center, Building 500

László Bartosiewicz Speaker Stockholm University
Lectures
-

Faculty Organizer:  Joan Ramon Resina (jrresina@stanford.edu)
Graduate Student Coordinators:  Gabriela Badica (gbadica@stanford.edu) and Pau Guinart (guinart@stanford.edu)

 

CONFERENCE SCHEDULE for DAY 2:

 

Saturday, May 13:


SESSION 5:  9:15AM-11:15AM, Moderator:  Laura Menéndez Gorina

Laurie McNeill (University of British Columbia)
Co-opted Identity: "Anne Franks" and Frameworks for Testimony

Antonio Monegal (Universitat Pompeu Fabra)
The Novel as Life Writing: Fiction and Testimony in Jorge Semprún and Imre Kertész

Joshua Landy (Stanford University)
Saving the Self from Stories: Resistance to Narrative in Primo Levi's Periodic Table

SESSION 6:  11:30AM-1:00PM, Moderator George Rosa-Acosta

Oscar Jané (Universitat Autònoma de Barcelona)
Self-Writings and Egodocuments.  Personal memoirs in Catalonia (16th-19th century)

Linda Rugg (UC Berkeley)
Painting Faces:  The Swedish Brothers Hesselius and the Ecology of Life-Transformation in 18th-Century North America

 

Sponsored by the Division of Literatures, Cultures, and Languages; the Stanford Humanities Center; and The Europe Center's Iberian Studies Program

Stanford Humanities Center
424 Santa Teresa Street
Stanford, CA 94305

Conferences
-

Faculty Organizer:  Joan Ramon Resina (jrresina@stanford.edu
Graduate Student Coordinators:  Gabriela Badica (gbadica@stanford.edu) and Pau Guinart (guinart@stanford.edu)

 

Image
Poster for conference Inscribed Identities

 

CONFERENCE SCHEDULE

 

Friday, May 12


KEYNOTE ADDRESS, 9:05AM-10:00AM

Enzo Traverso (Cornell University) 
Between Critical Reason and Despair:  Jean Améry

SESSION 1:  10:15AM-11:45AM, Moderator: Pau Guinart

Sidonie Smith (University of Michigan) 
Identity, Post-Identity, Identity Assemblage: A Mediation on Life Writing in Three Modes

Julie Rak (University of Alberta) 
Life Climbing: Mountaineering, Gender and the Problem of Mount Everest

SESSION 2:  12:00PM-1:30PM, Moderator: Leonardo Grão Velloso

Jan Söffner (Zeppelin Universität) 
How to Stay Alive in Your Own Story - Odysseus in Dante and Homer

Jenny Haase (Humboldt Universität) 
Writing Oneself as Another - Writing Another as Oneself.  Julia Kristeva and Teresa of Ávila

SESSION 3:  2:30PM-4:00PM, Moderator:  Gabriela Badica

Gregory Freidin (Stanford University) 
Taking the Kingdom of Heaven by Force: Isaac Babel's Life and the Crucible of Violence

Joan Ramon Resina (Stanford University) 
Life in the Dream:  Freud's Self-Display through Screen Cultural Memories

SESSION 4:  4:15PM-5:45PM, Moderator:  Robert Casas Roigé

Marcus Moseley (Northwestern University) 
Yeats/Dylan:  Autobiographical Negativities

William Viestenz (University of Minnesota) 
Lines of Flight:  The Self as Avatar of Difference in the Auto-Fiction of Kirmen Uribe 
 

Saturday, May 13:


SESSION 5:  9:15AM-11:15AM, Moderator:  Laura Menéndez Gorina

Laurie McNeill (University of British Columbia) 
Co-opted Identity: "Anne Franks" and Frameworks for Testimony

Antonio Monegal (Universitat Pompeu Fabra) 
The Novel as Life Writing: Fiction and Testimony in Jorge Semprún and Imre Kertész

Joshua Landy (Stanford University) 
Saving the Self from Stories: Resistance to Narrative in Primo Levi's Periodic Table

SESSION 6:  11:30AM-1:00PM, Moderator George Rosa-Acosta

Oscar Jané (Universitat Autònoma de Barcelona) 
Self-Writings and Egodocuments.  Personal memoirs in Catalonia (16th-19th century)

Linda Rugg (UC Berkeley) 
Painting Faces:  The Swedish Brothers Hesselius and the Ecology of Life-Transformation in 18th-Century North America

 

Sponsored by the Division of Literatures, Cultures, and Languages; the Stanford Humanities Center; and The Europe Center's Iberian Studies Program

Stanford Humanities Center
424 Santa Teresa Street
Stanford, CA 94305

Conferences
-

The 6th Annual Romanian Film Festival at Stanford, UC Berkeley and San Francisco State University, with additional screenings at University of California Los Angeles and San Francisco Art Institute, centers on the theme “DILEMMAS, DECISIONS, DESTINIES” with a selection of films focusing on history, humor and events that continue to shape the contemporary film making landscape. Some of the selected films are first major works, while others represent established artists – year after year these filmmakers continue to make their mark on the international stage by garnering acclaim for their bold and exceptional storytelling.

The program presents Cristian Mungiu’s acclaimed “Graduation”, Best Director winner at the 2017 Cannes Film Festival, Bogdan Mirica’s thriller “Dogs”, winner of FIPRESCI AWARD at the 2016 Cannes Film Festival, Radu Jude’s “Aferim”, Silver Bear for Best Director at 2015 Berlin Film Festival, Romanian-French co-production “The Fixer” by Adrian Sitaru and “Double”, Catrinel Danaiata’s film directorial debut.

The Romanian film festival continues its series of interdisciplinary and comparative discussions on the realities of Eastern Europe in today’s increasingly globalized world. Audiences are invited to reflect upon key moments during pre and post-1945 European history from a Romanian perspective.

For the listing of film screenings and guest speakers by date and location, please visit the Romanian Film Festival website.

The event is presented by Stanford University's Center for Russian, East European & Eurasian Studies (CREEES) and Special Language Program (SLP); UC Berkeley's Institute of Slavic, East European, and Eurasian Studies; and San Francisco State's Department of Cinema.  Co-sponsored by Stanford University's The Europe Center and Department of Slavic Languages and Literatures; the San Francisco Art Institute; UCLA's Department of Slavic, East European and Eurasian Languages and Cultures, Center for European and Eurasian Studies, and Romanian Student Club; the “Nicolae Tonitza” High School (Bucharest, Romania) and Fundatia Semn (Romania).   For additional sponsorship information, please visit the Romanian Film Festival website.

Locations vary - please view the festival program for details.

Film Screenings
-
Bringing together more than 25 scholars from Europe, Turkey, and the United States, the conference will explore the contemporary Turkey through the conceptual lenses of space, narrative, and affect/emotion. The event will start with a public screening of “Clair Obscur” (Dir. Yesim Ustaoglu) on April 27 and conclude with a public screening of “The Last Schnitzel” (Dir. Ismet Kurtulus & Kaan Arici) on April 29.
 
Please take a moment to review the conference program, which includes speaker bios, paper titles, and abstracts. The conference sessions will be open only to faculty members, students, and researchers who register in advance at this link.  The venue information will be provided only to the confirmed RSVPs.
 
 
The Abbasi Program is delighted to organize this event in collaboration with Stanford’s Mediterranean Studies, The Europe Center, CDDRL Arab Reform & Democracy Program, Global Studies Division, and CDDRL.

 

Venue information will be provided to the confirmed RSVPs.

Conferences
-
Bringing together more than 25 scholars from Europe, Turkey, and the United States, the conference will explore the contemporary Turkey through the conceptual lenses of space, narrative, and affect/emotion. The event will start with a public screening of “Clair Obscur” (Dir. Yesim Ustaoglu) on April 27 and conclude with a public screening of “The Last Schnitzel” (Dir. Ismet Kurtulus & Kaan Arici) on April 29.
 
Please take a moment to review the conference program, which includes speaker bios, paper titles, and abstracts. The conference sessions will be open only to faculty members, students, and researchers who register in advance at this link.  The venue information will be provided only to the confirmed RSVPs.
 
 
The Abbasi Program is delighted to organize this event in collaboration with Stanford’s Mediterranean Studies, The Europe Center, CDDRL Arab Reform & Democracy Program, Global Studies Division, and CDDRL.

Venue information will be provided to the confirmed RSVPs.

Conferences
Paragraphs

Friedrich Kittler’s farewell words of 15 July 2011, delivered at the original building of the Institute for Cultural History and Theory at the Humboldt University of Berlin, where he had taught during the final eighteen years of his academic career, are of course not among his most intellectually important texts. Rather, this address belongs to those documents whose specific status and relevance depends on a temporal relation to their author’s life dates. Kittler’s death on 11 October 2011 made the improvised Sophienstraße address his last public statement and thus gave it the aura of a legacy. What he said to his students and a few colleagues on that occasion is a random snapshot that, due to the posthumously dramatic perspective from which it conjures up his personality for us, has become a monument. As such, as a monument and as a legacy, I want to comment on those few sentences pronounced shortly before the end of his life by one of my dearest and most admired friends from my own German generation of scholars and intellectuals.

All Publications button
1
Publication Type
Journal Articles
Publication Date
Journal Publisher
Critical Inquiry
Authors
Hans Ulrich Gumbrecht
Paragraphs

This chapter aims to locate Machado’s place in the development of literature—more specifically, realism in Brazil. This exploration of the aesthetic mode of realism in Brazilian literature focuses on Machado and his often contentious place within literary movements. More importantly, Gumbrecht addresses how Machado reconfigured realist aesthetics to the demands of his time, engendering a new brand of realism—in stark contrast to the European realist tradition—founded upon a firm philosophical questioning of placing reality into representation. Gumbrecht interrogates Machado’s relationship with realism, centering on the writer’s singular narrative form of instability and self-reflexivity.

All Publications button
1
Publication Type
Books
Publication Date
Journal Publisher
Palgrave MacMillan
Authors
Hans Ulrich Gumbrecht
-

Damian Collins MP is a member of the House of Commons, and Chairman of the Parliamentary Select Committee for Cuture, Media and Sport. He graduated in modern history from the University of Oxford, and 'Charmed Life, the phenomenal world of Philip Sassoon'Damian Collins MP is a member of the House of Commons, and Chairman of the Parliamentary Select Committee for Culture, Media and Sport. He graduated in modern history from the University of Oxford, and Charmed Life, the phenomenal world of Philip Sassoon is his first book.

 

 

 

No RSVP required.  For more information, please contact jewishstudies.stanford.edu.

*This is an author event; the bookstore will be on-site selling copies of Collins' book.

This event is co-sponsored by the Taube Center for Jewish Studies, the Department of History, and The Europe Center.

 

Lane History Corner (Building 200)
Room 307

 

 

Damian Collins Member of Parliament, UK Speaker Member of Parliament, UK
Lectures

Celebrated international artist Ori Gersht will be delivering a lecture entitled "Optical Unconsciousness" with an introduction by Alexander Nemerov (Department Chair & Carl and Marilynn Thoma Provostial Professor in the Arts and Humanities; Stanford University). A public Q & A will follow. For more information, please visit The Contemporary.

Free and open to the public. 

 

Gersht's visit is generously co-sponsored by Kim Allen and Alex Cohen, in honor of the marriage of Karen Underhill and Richard Meller; The Taube Center for Jewish Studies; The Department of Art and Art History; The Division of Literatures, Cultures, and Languages; The Europe Center; and The Contemporary.

Ori Gersht International Artist Speaker
Lectures
Subscribe to Culture